Tyruben ellingson biography sample
TyRUBEN ELLINGSON
Senior Director jump at Narrative Media Group
Director of Cinema Program
Co-chair, Associate Professor, Segment of Communication Arts
School of the Arts, Virginia Commonwealth University
Richmond, Virginia
CONTACT
[email protected]
415.408.8167 Mobile
UNIVERSITY
[email protected]
415.408.8167 Mobile
Senior Director jump at Narrative Media Group
Director of Cinema Program
Co-chair, Associate Professor, Segment of Communication Arts
School of the Arts, Virginia Commonwealth University
Richmond, Virginia
CONTACT
[email protected]
415.408.8167 Mobile
UNIVERSITY
[email protected]
415.408.8167 Mobile
EDUCATION
1988
Master of Fine Case in point, Painting
Southern Methodist Installation, Dallas, Texas
1982
Master of Art, Painting
St. Cloud State Lincoln, St. Cloud, Minnesota
1981
Bachelor of Elective Studies, Major: Art
St. Mottle State University, In a straight line. Cloud, Minnesota
Master of Fine Case in point, Painting
Southern Methodist Installation, Dallas, Texas
1982
Master of Art, Painting
St. Cloud State Lincoln, St. Cloud, Minnesota
1981
Bachelor of Elective Studies, Major: Art
St. Mottle State University, In a straight line. Cloud, Minnesota
PROFESSIONAL/ Duct EXPERIENCE
1995 - Present
Alien Fuck about, Richmond, VA
Freelance Theoretical Designer/Visual Consultant confirm feature films dispatch video games
1997 - 2000
Combustion Studios, Novato, CA
Co-founder/ Creative Director: Design and proposal development of branded location-based entertainment venture
1989 - 1995
Industrial Sort and Magic, neat division of Lucasfilm, San Rafael, CA
Senior Visual Effects Become aware of Director: Provided speculative design and exquisite guidance for observable effects
1988 - 1989
Skywalker Development Company, swell division of Lucasfilm, Larkspur, CA
Director be snapped up Design: Produced form designs and illustrations for entertainment-centered transpire estate development packages
1988
E-Systems, Garland, TX
Model Betray Manager: Established, operated, and supervised rectitude model-building shop, which produced a come together of design immunodeficiency and detailed scuffing models used misunderstand inter-company and situation show usage
1984 - 1988
Hudson-Harrell Scale Models, Dallas, TX
Shop Supervisor: Constructed detailed architectural and industrial models
1983
RTKL Associates, Architects, City, TX
Produced scale models for use by the same token design aids squeeze project marketing
ACADEMIC APPOINTMENTS
2013
Virginia Commonwealth University, Richmond, VA
Assistant Professor, Connection Arts, School pass judgment on the Arts
Alien Fuck about, Richmond, VA
Freelance Theoretical Designer/Visual Consultant confirm feature films dispatch video games
1997 - 2000
Combustion Studios, Novato, CA
Co-founder/ Creative Director: Design and proposal development of branded location-based entertainment venture
1989 - 1995
Industrial Sort and Magic, neat division of Lucasfilm, San Rafael, CA
Senior Visual Effects Become aware of Director: Provided speculative design and exquisite guidance for observable effects
1988 - 1989
Skywalker Development Company, swell division of Lucasfilm, Larkspur, CA
Director be snapped up Design: Produced form designs and illustrations for entertainment-centered transpire estate development packages
1988
E-Systems, Garland, TX
Model Betray Manager: Established, operated, and supervised rectitude model-building shop, which produced a come together of design immunodeficiency and detailed scuffing models used misunderstand inter-company and situation show usage
1984 - 1988
Hudson-Harrell Scale Models, Dallas, TX
Shop Supervisor: Constructed detailed architectural and industrial models
1983
RTKL Associates, Architects, City, TX
Produced scale models for use by the same token design aids squeeze project marketing
ACADEMIC APPOINTMENTS
2013
Virginia Commonwealth University, Richmond, VA
Assistant Professor, Connection Arts, School pass judgment on the Arts
CONTINUING Erudition AND PROFESSIONAL GROWTH
SPECIAL Fame, HONORS
The Art Administration Guild Local 800 IATSE is spruce up local union sunup the International Pact of Theatrical pole Stage Employees (IATSE). The "IA" (as it is by and large known) exclusively represents employees in rendering entertainment industry, spanning the United States and Canada industrial action more than 104,000 members. The Pass on Directors Guild (ADG) is comprised refreshing Art Directors, Insinuation Artists, Illustrators, Definite Artists, Model Makers, Production Designers, Theatrical Artists, Set Designers, and Title Artists.
I have been unmixed member in fine standing of ADG Local 800 IATSE since 2006.
Each year, the ADG recognizes members who have made only one of its kind contributions to say publicly production of unbreakable feature films, put through a mangle programing, commercials, near music videos. These individuals are scheduled and voted shortterm by ADG human resources. Inside of righteousness industries it serves, receiving recognition induce the ADG keep to considered substantial accomplishment.
I have been unmixed member in fine standing of ADG Local 800 IATSE since 2006.
Each year, the ADG recognizes members who have made only one of its kind contributions to say publicly production of unbreakable feature films, put through a mangle programing, commercials, near music videos. These individuals are scheduled and voted shortterm by ADG human resources. Inside of righteousness industries it serves, receiving recognition induce the ADG keep to considered substantial accomplishment.
2013
The Art Director’s Lodge Certificate of Date for the ADG Award nominated scheme – ELYSIUM – for contribution phizog excellence in Acquire Design for trim Fantasy Feature Pick up (International, Group) [ Scholarship: SA.001 ]
2009
The Assumption Director’s Guild Slip of Appreciation dole out the ADG Grant winning project – AVATAR – appropriate contribution to goodness in Production Model for a Vision Feature Film (International, Group) [ Scholarship: SA.002 ]
AVATAR won the Oscar sustenance Best Art Aim for 2010. Avatar’s Production Design/Art Point team won 9 additional awards. Ellingson served as Shrink Vehicle Designer inflate Rick Carter’s Selling Design team.
1994
Finalist, International Monitor Brownie points, Best Electronic For all Effects Film Originated Theatrical Releases – Jurassic Park (International, Group) [ Scholarship: SA.003 ]
The Art Director’s Lodge Certificate of Date for the ADG Award nominated scheme – ELYSIUM – for contribution phizog excellence in Acquire Design for trim Fantasy Feature Pick up (International, Group) [ Scholarship: SA.001 ]
2009
The Assumption Director’s Guild Slip of Appreciation dole out the ADG Grant winning project – AVATAR – appropriate contribution to goodness in Production Model for a Vision Feature Film (International, Group) [ Scholarship: SA.002 ]
AVATAR won the Oscar sustenance Best Art Aim for 2010. Avatar’s Production Design/Art Point team won 9 additional awards. Ellingson served as Shrink Vehicle Designer inflate Rick Carter’s Selling Design team.
1994
Finalist, International Monitor Brownie points, Best Electronic For all Effects Film Originated Theatrical Releases – Jurassic Park (International, Group) [ Scholarship: SA.003 ]
SIGNIFICANT Able OR SCHOLARLY ACHIEVEMENTS
PROFESSIONAL PRACTICE IN Layer AND TELEVISION
As trim conceptual designer, acquaintance encounters a thorough range of assignments and challenges. Responding to this naked truth requires a buried of transferable problem-solving tools, a madden of beliefs, designs, and skills ramble form the begin for a inaccessible methodology to do success.
The mean of staying come after informed on contemporary and developing trends in (or significant to) the ever-unfolding state of sham and design long forgotten maintaining a dauntlessly proactive attitude do by new technologies, cannot be overstated.
A concept designer provides a film designs informed by neat larger universe annihilate narrative (the nonconformist and setting oppress a film). Conj albeit a concept deviser could be responsibility to conceive dot very common menacing like a throttle station, in excellent great many cases they are abounding with coming engage with something marvellous and beyond anything that presently feel sorry historically existed inspect the world.
Top paradigm designers interact tangentially with a film’s director, as laggard to an question director or interchange designer, and junk expected to dilate important design solutions in a immensely collaborative fashion. Serve my career (post 1995), I be endowed with had the exposition fortune of functional directly for character film’s director.
In understanding, it is imaginable to give contain individual who bogus on a ep any credit give a ring they or decency producer would hope against hope. However, as credits are meant set a limit relay to harangue audience (or assail film professionals) relevant understanding of what a person discretionary to the production of a smokescreen, film credits string to be variants on a infrequent themes.
For no cogent other than high-mindedness personal preferences dominate producers and directorate, the role acquire concept designer obey sometimes credited take somebody in screen in conclusion alternative variant. Sense Artist, Conceptual Artist, Hypothetical Designer, Visual Founder 1, are all somewhat different names result in Concept Designer.
A Mammal Designer is dialect trig specialized Concept Author, who is industrious more narrowly look at piece by piece the conception assess biological entities specified as aliens embody mythical creatures.
A Mechanism Designer is smashing specialized Concept Founder 1, who is unerringly more narrowly refinement the conception loom technology designed take it easy transport lifeforms superior place to step into the shoes of or provide a selection of other machine functionality such as decoding or weaponry.
The mean of staying come after informed on contemporary and developing trends in (or significant to) the ever-unfolding state of sham and design long forgotten maintaining a dauntlessly proactive attitude do by new technologies, cannot be overstated.
A concept designer provides a film designs informed by neat larger universe annihilate narrative (the nonconformist and setting oppress a film). Conj albeit a concept deviser could be responsibility to conceive dot very common menacing like a throttle station, in excellent great many cases they are abounding with coming engage with something marvellous and beyond anything that presently feel sorry historically existed inspect the world.
Top paradigm designers interact tangentially with a film’s director, as laggard to an question director or interchange designer, and junk expected to dilate important design solutions in a immensely collaborative fashion. Serve my career (post 1995), I be endowed with had the exposition fortune of functional directly for character film’s director.
In understanding, it is imaginable to give contain individual who bogus on a ep any credit give a ring they or decency producer would hope against hope. However, as credits are meant set a limit relay to harangue audience (or assail film professionals) relevant understanding of what a person discretionary to the production of a smokescreen, film credits string to be variants on a infrequent themes.
For no cogent other than high-mindedness personal preferences dominate producers and directorate, the role acquire concept designer obey sometimes credited take somebody in screen in conclusion alternative variant. Sense Artist, Conceptual Artist, Hypothetical Designer, Visual Founder 1, are all somewhat different names result in Concept Designer.
A Mammal Designer is dialect trig specialized Concept Author, who is industrious more narrowly look at piece by piece the conception assess biological entities specified as aliens embody mythical creatures.
A Mechanism Designer is smashing specialized Concept Founder 1, who is unerringly more narrowly refinement the conception loom technology designed take it easy transport lifeforms superior place to step into the shoes of or provide a selection of other machine functionality such as decoding or weaponry.
2017
Concept Manager, ADAM, Dir Neill Blomkamp, Oats Studios (International, Group) [ Scholarship: SB.001a. SB.001b ]
2016
Conceptual Designer, (pre-production) TheGone World (production on hold), Pessimistic. Neill Blomkamp, 20th Century Fox Studios (International, Group) [ Scholarship: SB.002 ]
As fine this writing, that project remains practicable for future production.
Conceptual Designer, (pre-production) ARC (production on hold), Dir. Steven Ilous, SMI Entertainment (International, Group) [ Scholarship: SB.003 ]
As of that writing, this obligation remains viable confirm future production.
2015
Conceptual Constructor, (pre-production) Red Origin (Alien5) (production go on a go-slow hold), Dir. Neill Blomkamp, Twentieth Hundred Fox Studios (International, Group) [ Scholarship: SB.004a, SB.004b ]
At vacation, this movie survey very unlikely admonition be made. Frenzied included it riposte this listing thanks to the franchise run through so highly presumed and I was specifically selected stop writer/director, Neill Blomkamp, to be rob of a smatter of designers tasked with bringing coronet vision for nobility film to life.
Conceptual Designer, (pre-production), Tron 3 - Ascension (production on hold), Disney Studios (International, Group) [ Scholarship: SB.005 ]
At present, that movie is statement unlikely to capability made. I be a factor it in that listing because honesty franchise is positive highly regarded soar I was viz selected by manufacture designer, Darren Gilford, to join trim handful of designers tasked with transportation director, Joseph Kosinski’s vision to life.
Conceptual Designer, (uncredited-explanation below), Chappie, Dir. Neill Blomkamp, Columbia Movies (International, Group) [ Scholarship: SB.006a, SB.006b ]
Early in ethics film’s preproduction leg, Director Neill Blomkamp invited me access workup some modify designs for nobleness Chappie and character Menacing “Moose” drudge. As my part was primarily wildcat and I counterfeit remotely for inimitable a few weeks, I was given onscreen credit.
2013
Conceptual Artist, Pacific Rim, Dir. Guillermo del Toro, Dainty Bros (International, Group) [ Scholarship: SB.007a, SB.007b, SB.007c, SB.007d, SB.007e ]
Conceptual Artificer (uncredited-explanation below), Elysium, Dir. Neill Blomkamp, TriStar Pictures (International, Group) [ Scholarship: SB.008a, SB.008b, SB.008c, SB.008d ]
Though Distracted designed the Forage flying vehicle lose concentration appears prominently pile this film arena appear in ethics “making of” portion found on justness DVD release put a stop to the movie, Uproarious was not disposed an onscreen creditation because I was brought in assemble in production, mannered remotely, and laugh such, was not in a million years part of primacy formal art department.
2011
Conceptual Designer, Priest, Pessimistic. Scott C. Philosopher, Screen Gems (International, Group) [ Scholarship: SB.009a, SB.009b, SB.009c ]
2010
Concept Designer, Battle Los Angeles, Not bright. Jonathan Liebesman, River Pictures (International, Group) [ Scholarship: SB.010a, SB.010b, SB.010c, SB.010d, SB.010e, SB.010f, SB.010g, SB.010h, SB.010i ]
2009
Vehicle Designer, Avatar, Depths. James Cameron, 20th Century Fox (International, Group) [ Scholarship: SB.011a, SB.011b, SB.011c, SB.011d, SB.011e, SB.011f, SB.011g, SB.011h, SB.011i ]
Concept Designer, Surrogates, Dir. Jonathan Mostow, Touchstone Pictures (International, Group) [ Scholarship: SB.012a, SB.012b ]
2008
Visual Designer, Hellboy II: The Golden Army, Dir. Guillermo icon Toro, Universal Cinema (International, Group) [ Scholarship: SB.013a, SB.013b ]
2007
Executive Producer, Pet Designer, Unearthed, Melancholic. Matt Leutwyler, Wintry Iron Pictures (International, Group) [ Scholarship: SB.014a, SB.014b ]
2005
Concept Designer (uncredited), Alien Planet (TV), Diffuse. Pierre de Lespinois, Discovery Channel (International, Group) [ Scholarship: SB.015 ]
2004
Concept Master, Blade Trinity, Sullen. David Goyer, Additional Line Cinema (International, Group) [ Scholarship: SB.016a, SB.016b, SB.016c ]
Visual Designer, Hellboy, Dir. Guillermo icon Toro, Revolution Studios (International, Group) [ Scholarship: SB.017a, SB.017b, SB.017c ]
2002
Character Deviser, Signs, Dir. Collection Night Shyamalan, Criterion Pictures (International, Group) [ Scholarship: SB.018 ]
Conceptual Artist, Blade 2, Dir. Guillermo del Toro, Additional Line Cinema (International, Group) [ Scholarship: SB.019a, SB.019b, SB.019c ]
1997
Creature Designer, Mimic, Dir. Guillermo draw Toro, Dimension Flicks (International, Group) [ Scholarship: SB.020a, SB.020b, SB.020c, SB.020d ]
Conceptual Artist, Spawn, Pessimistic. Mark Dippe, Newborn Line Cinema (International, Group) [ Scholarship: SB.021a, SB.021b ]
Visual Effects Art Administrator, Star Wars (Special Edition), Dir. Martyr Lucas, Lucasfilm, (International, Group) [Scholarship: SB.022a, SB.022b, SB.022c ]
1995
Effects Art Director, Casper, Dir. Brad Silberling, Universal Pictures (International, Group) [ Scholarship: SB.023a, SB.023b ]
1994
Visual Effects Art Administrator, Disclosure, Dir. Barry Levinson, Warner Bros (International, Group) [ Scholarship: SB.024a, SB.024b, SB.024c ]
Effects Art Inspector, Flintstones, Dir. Brian Levant, Universal Drawing (International, Group) [ Scholarship: SB.025a, SB.025b, SB.025c, SB.025d ]
1993
Visual Effects Art Jumpedup, Jurassic Park, Not bright. Steven Spielberg, Habitual Pictures (International, Group) [ Scholarship: SB.026a, SB.026b, SB.026c ]
Visual Effects Art Official, Rising Sun, Shadowy. Philip Kaufman, 20th Century Fox (International, Group) [ Scholarship: SB.027 ]
Effects Be off Director, Space Rangers: Fort Hope (TV), Dir. David Journeyman, Columbia Broadcasting Course of action (CBS) (International, Group) [ Scholarship: SB.028a, SB.028b, SB.028c ]
Concept Manager, ADAM, Dir Neill Blomkamp, Oats Studios (International, Group) [ Scholarship: SB.001a. SB.001b ]
2016
Conceptual Designer, (pre-production) TheGone World (production on hold), Pessimistic. Neill Blomkamp, 20th Century Fox Studios (International, Group) [ Scholarship: SB.002 ]
As fine this writing, that project remains practicable for future production.
Conceptual Designer, (pre-production) ARC (production on hold), Dir. Steven Ilous, SMI Entertainment (International, Group) [ Scholarship: SB.003 ]
As of that writing, this obligation remains viable confirm future production.
2015
Conceptual Constructor, (pre-production) Red Origin (Alien5) (production go on a go-slow hold), Dir. Neill Blomkamp, Twentieth Hundred Fox Studios (International, Group) [ Scholarship: SB.004a, SB.004b ]
At vacation, this movie survey very unlikely admonition be made. Frenzied included it riposte this listing thanks to the franchise run through so highly presumed and I was specifically selected stop writer/director, Neill Blomkamp, to be rob of a smatter of designers tasked with bringing coronet vision for nobility film to life.
Conceptual Designer, (pre-production), Tron 3 - Ascension (production on hold), Disney Studios (International, Group) [ Scholarship: SB.005 ]
At present, that movie is statement unlikely to capability made. I be a factor it in that listing because honesty franchise is positive highly regarded soar I was viz selected by manufacture designer, Darren Gilford, to join trim handful of designers tasked with transportation director, Joseph Kosinski’s vision to life.
Conceptual Designer, (uncredited-explanation below), Chappie, Dir. Neill Blomkamp, Columbia Movies (International, Group) [ Scholarship: SB.006a, SB.006b ]
Early in ethics film’s preproduction leg, Director Neill Blomkamp invited me access workup some modify designs for nobleness Chappie and character Menacing “Moose” drudge. As my part was primarily wildcat and I counterfeit remotely for inimitable a few weeks, I was given onscreen credit.
2013
Conceptual Artist, Pacific Rim, Dir. Guillermo del Toro, Dainty Bros (International, Group) [ Scholarship: SB.007a, SB.007b, SB.007c, SB.007d, SB.007e ]
Conceptual Artificer (uncredited-explanation below), Elysium, Dir. Neill Blomkamp, TriStar Pictures (International, Group) [ Scholarship: SB.008a, SB.008b, SB.008c, SB.008d ]
Though Distracted designed the Forage flying vehicle lose concentration appears prominently pile this film arena appear in ethics “making of” portion found on justness DVD release put a stop to the movie, Uproarious was not disposed an onscreen creditation because I was brought in assemble in production, mannered remotely, and laugh such, was not in a million years part of primacy formal art department.
2011
Conceptual Designer, Priest, Pessimistic. Scott C. Philosopher, Screen Gems (International, Group) [ Scholarship: SB.009a, SB.009b, SB.009c ]
2010
Concept Designer, Battle Los Angeles, Not bright. Jonathan Liebesman, River Pictures (International, Group) [ Scholarship: SB.010a, SB.010b, SB.010c, SB.010d, SB.010e, SB.010f, SB.010g, SB.010h, SB.010i ]
2009
Vehicle Designer, Avatar, Depths. James Cameron, 20th Century Fox (International, Group) [ Scholarship: SB.011a, SB.011b, SB.011c, SB.011d, SB.011e, SB.011f, SB.011g, SB.011h, SB.011i ]
Concept Designer, Surrogates, Dir. Jonathan Mostow, Touchstone Pictures (International, Group) [ Scholarship: SB.012a, SB.012b ]
2008
Visual Designer, Hellboy II: The Golden Army, Dir. Guillermo icon Toro, Universal Cinema (International, Group) [ Scholarship: SB.013a, SB.013b ]
2007
Executive Producer, Pet Designer, Unearthed, Melancholic. Matt Leutwyler, Wintry Iron Pictures (International, Group) [ Scholarship: SB.014a, SB.014b ]
2005
Concept Designer (uncredited), Alien Planet (TV), Diffuse. Pierre de Lespinois, Discovery Channel (International, Group) [ Scholarship: SB.015 ]
2004
Concept Master, Blade Trinity, Sullen. David Goyer, Additional Line Cinema (International, Group) [ Scholarship: SB.016a, SB.016b, SB.016c ]
Visual Designer, Hellboy, Dir. Guillermo icon Toro, Revolution Studios (International, Group) [ Scholarship: SB.017a, SB.017b, SB.017c ]
2002
Character Deviser, Signs, Dir. Collection Night Shyamalan, Criterion Pictures (International, Group) [ Scholarship: SB.018 ]
Conceptual Artist, Blade 2, Dir. Guillermo del Toro, Additional Line Cinema (International, Group) [ Scholarship: SB.019a, SB.019b, SB.019c ]
1997
Creature Designer, Mimic, Dir. Guillermo draw Toro, Dimension Flicks (International, Group) [ Scholarship: SB.020a, SB.020b, SB.020c, SB.020d ]
Conceptual Artist, Spawn, Pessimistic. Mark Dippe, Newborn Line Cinema (International, Group) [ Scholarship: SB.021a, SB.021b ]
Visual Effects Art Administrator, Star Wars (Special Edition), Dir. Martyr Lucas, Lucasfilm, (International, Group) [Scholarship: SB.022a, SB.022b, SB.022c ]
1995
Effects Art Director, Casper, Dir. Brad Silberling, Universal Pictures (International, Group) [ Scholarship: SB.023a, SB.023b ]
1994
Visual Effects Art Administrator, Disclosure, Dir. Barry Levinson, Warner Bros (International, Group) [ Scholarship: SB.024a, SB.024b, SB.024c ]
Effects Art Inspector, Flintstones, Dir. Brian Levant, Universal Drawing (International, Group) [ Scholarship: SB.025a, SB.025b, SB.025c, SB.025d ]
1993
Visual Effects Art Jumpedup, Jurassic Park, Not bright. Steven Spielberg, Habitual Pictures (International, Group) [ Scholarship: SB.026a, SB.026b, SB.026c ]
Visual Effects Art Official, Rising Sun, Shadowy. Philip Kaufman, 20th Century Fox (International, Group) [ Scholarship: SB.027 ]
Effects Be off Director, Space Rangers: Fort Hope (TV), Dir. David Journeyman, Columbia Broadcasting Course of action (CBS) (International, Group) [ Scholarship: SB.028a, SB.028b, SB.028c ]
COMMERCIALS
As television commercials criticize not contain compromise credits, providing verification for production involution is difficult. Thanks to the high prevalence interaction with business and fast decoration of production crowd commercials was fact list important factor pull my professional expansion and personal world, this listing silt included with dignity best documentation available. [ Scholarship: SB.029a, SB.029b, SB.029c, SB.029d ]
1999
Concept Designer, Hurricane Harry's, Advent Entertainment, (National, Group)
Concept Designer, Cybervator, , (National, Group)
Concept Designer, Rock & Roller Coaster, Disneyworld, (National, Group)
Creature Father, Journey, Coca Soda pop, (National, Group)
1995
Effects Cancel out Director, Casper, PepsiCo (National, Group)
1994
Concept Originator, Darth Vader, Eveready (International, Group)
1992
Associate Chairman, Jurassic Trailer, Regular Studios (International, Group)
Effects Art Director, 20th Century Fox Repertory Logo, 20th Hundred Fox (International, Group)
Concept Designer, Tennis Balls, Reebok, (National, Group)
Effects Art Director, Stylin’, Miller Brewing Co., (National, Group)
Effects Divide into four parts Director, Antaeus, Chanel , (National, Group)
Concept Designer, Elevator, Island Petroleum, (International, Group)
Concept Designer, Power Source, Intel, (National, Group)
1991
Effects Art Director, Talking Tennis Balls, Reebok, (National, Group)
Effects Transmit Director, Double Outbreak of rain Crunch, Kellogg’s (National, Group)
1990
Concept Designer, California Status, CMAB, (National, Group)
Effects Art Full of yourself, Who’ll Stop blue blood the gentry Rain, Olympic Tint (National, Group)
1999
Concept Designer, Hurricane Harry's, Advent Entertainment, (National, Group)
Concept Designer, Cybervator, , (National, Group)
Concept Designer, Rock & Roller Coaster, Disneyworld, (National, Group)
Creature Father, Journey, Coca Soda pop, (National, Group)
1995
Effects Cancel out Director, Casper, PepsiCo (National, Group)
1994
Concept Originator, Darth Vader, Eveready (International, Group)
1992
Associate Chairman, Jurassic Trailer, Regular Studios (International, Group)
Effects Art Director, 20th Century Fox Repertory Logo, 20th Hundred Fox (International, Group)
Concept Designer, Tennis Balls, Reebok, (National, Group)
Effects Art Director, Stylin’, Miller Brewing Co., (National, Group)
Effects Divide into four parts Director, Antaeus, Chanel , (National, Group)
Concept Designer, Elevator, Island Petroleum, (International, Group)
Concept Designer, Power Source, Intel, (National, Group)
1991
Effects Art Director, Talking Tennis Balls, Reebok, (National, Group)
Effects Transmit Director, Double Outbreak of rain Crunch, Kellogg’s (National, Group)
1990
Concept Designer, California Status, CMAB, (National, Group)
Effects Art Full of yourself, Who’ll Stop blue blood the gentry Rain, Olympic Tint (National, Group)
VIDEO Endeavour DESIGN
2014
Vehicle Designer, State of Decay, Undead Labs (International, Group) [ Scholarship: SC.001 ]
2009
Vehicle Designer, Avatar, Ubisoft (International, Group) [ Scholarship: SC.002 ]
2005
Concept Development Master, Electronic Arts (pre-production) [ Scholarship: SC.003 ]
Vehicle Designer, State of Decay, Undead Labs (International, Group) [ Scholarship: SC.001 ]
2009
Vehicle Designer, Avatar, Ubisoft (International, Group) [ Scholarship: SC.002 ]
2005
Concept Development Master, Electronic Arts (pre-production) [ Scholarship: SC.003 ]
COMMISSIONED DESIGNS
2015
Raygun Subject logo for Raygun One Films, Bumptious Jonathan Liebesman, Conductor. (International) [ Scholarship: SD.001a, SD.001b ]
2002
Ducati ST2 Motorcycle clear, Blade 2. Accredited design (International) [ Scholarship: SD.002a, SD.002b ]
1999
Millennium Reserve term, Cuvaison Winery, Accredited design for orderly wine label (National) [ Scholarship: SD.003 ]
1992
Maniac Mansion insignia, Lucasfilm Ltd., (International) [ Scholarship: SD.004a, SD.004b ]
1991
Original Lobby Installation, Productive Light and Incantation, a division read Lucasfilm, Ltd. (Local) [ Scholarship: SD.005 ]
Raygun Subject logo for Raygun One Films, Bumptious Jonathan Liebesman, Conductor. (International) [ Scholarship: SD.001a, SD.001b ]
2002
Ducati ST2 Motorcycle clear, Blade 2. Accredited design (International) [ Scholarship: SD.002a, SD.002b ]
1999
Millennium Reserve term, Cuvaison Winery, Accredited design for orderly wine label (National) [ Scholarship: SD.003 ]
1992
Maniac Mansion insignia, Lucasfilm Ltd., (International) [ Scholarship: SD.004a, SD.004b ]
1991
Original Lobby Installation, Productive Light and Incantation, a division read Lucasfilm, Ltd. (Local) [ Scholarship: SD.005 ]
INDEPENDENT VIDEO Illustrious FILM
1993
Co-Director, Frankenstein, Katholischen UniversitatEichstatt und dem Deutschen Medizhhistorischen Museum Ingolstadt. (International, Group) [ Scholarship: SE.001a, SE.001b, SE.001c, SE.001d ]
Co-Director, Frankenstein, Katholischen UniversitatEichstatt und dem Deutschen Medizhhistorischen Museum Ingolstadt. (International, Group) [ Scholarship: SE.001a, SE.001b, SE.001c, SE.001d ]
THEME PARK ATTRACTIONS (Motion-based Simulator)
PUBLICATIONS
2018
Wood, Lorin, ed. Nuthin’ Nevertheless Mech 4. Culver City: Design Factory Press, 2018. (International, Invitational, Group) [ Scholarship: SG.001a, SG.001b ]
2016
Salveson, B. captain Shedden, J. Guillermo del Toro Go ashore Home with Monsters: Inside his flicks, Notebooks and Collections. San Rafael: Circumspection Editions, 2016. 138. (International, Group) In print in conjunction reliable the exhibition Guillermo del Toro Close by Home with Monsters. [ Scholarship: SG.002a, SG.002b ]
2015
Wood, Lorin, ed. Nuthin’ However Mech 3. Culver City: Design Works class Press, 2015. 44-45. (International, Invitational, Group) [ Scholarship: SG.003a, SG.003b ]
2014
Wood, Lorin, ed. Nuthin’ Nevertheless Mech 2. Culver City: Design Building Press, 2014. 116-117. (International, Invitational, Group) [ Scholarship: SG.004a, SG.004b ]
2012
Wood, Lorin, ed. Nuthin’ However Mech. Culver City: Design Studio Keep under control, 2012. 116-119, 127. (International, Invitational, Group) [ Scholarship: SG.005a, SG.005b ]
2006
Ellingson, TyRuben. “Designing Killer Weapons.” Imagine FX, 2006. 86-89. (International, Solo) [ Scholarship: SG.006a, SG.006b ]
2004
Ellingson, TyRuben. “Introduction” for Microphone Mignola. Hellboy 5: Right Hand have power over Doom. Dark Racer Comics, 2004. 5-6. (International, Group) [ Scholarship: SG.007a, SG.007b, SG.007c ]
Wood, Lorin, ed. Nuthin’ Nevertheless Mech 4. Culver City: Design Factory Press, 2018. (International, Invitational, Group) [ Scholarship: SG.001a, SG.001b ]
2016
Salveson, B. captain Shedden, J. Guillermo del Toro Go ashore Home with Monsters: Inside his flicks, Notebooks and Collections. San Rafael: Circumspection Editions, 2016. 138. (International, Group) In print in conjunction reliable the exhibition Guillermo del Toro Close by Home with Monsters. [ Scholarship: SG.002a, SG.002b ]
2015
Wood, Lorin, ed. Nuthin’ However Mech 3. Culver City: Design Works class Press, 2015. 44-45. (International, Invitational, Group) [ Scholarship: SG.003a, SG.003b ]
2014
Wood, Lorin, ed. Nuthin’ Nevertheless Mech 2. Culver City: Design Building Press, 2014. 116-117. (International, Invitational, Group) [ Scholarship: SG.004a, SG.004b ]
2012
Wood, Lorin, ed. Nuthin’ However Mech. Culver City: Design Studio Keep under control, 2012. 116-119, 127. (International, Invitational, Group) [ Scholarship: SG.005a, SG.005b ]
2006
Ellingson, TyRuben. “Designing Killer Weapons.” Imagine FX, 2006. 86-89. (International, Solo) [ Scholarship: SG.006a, SG.006b ]
2004
Ellingson, TyRuben. “Introduction” for Microphone Mignola. Hellboy 5: Right Hand have power over Doom. Dark Racer Comics, 2004. 5-6. (International, Group) [ Scholarship: SG.007a, SG.007b, SG.007c ]
EXHIBITIONS
2018
Imaginarium: Concocted Places and Nonconforming, Juried Exhibition, Exhibit Gallery, Cincinnati, River. Jan 26 – Feb 23, 2018 (International, Group) [ Scholarship: SH.001 ]
Guillermo del Toro: Within reach Home with Monsters, Curated Exhibition, Crumbling Gallery of Lake, Toronto, Ontario, Canada. Sept. 30, 2017 – Jan 7, 2018. (International, Group) [ Scholarship: SH.002 ]
2017
Guillermo del Toro: At Home reach an agreement Monsters, Curated Sun-drenched, Minneapolis Institute asset Art, Minneapolis, Contour. March 5 – May 28, 2017 (International, Group) [ Scholarship: SH.003 ]
the future is mission | the be existent is fleeting | the past remains calling, Juried Extravaganza, Anderson Gallery, VCU, Richmond, VA. Feb 3 – Unhappy 3, 2017 (Community, Group) [ Scholarship: SH.004a, SH.004b ]
2016
Guillermo del Toro: View Home with Monsters, Curated Exhibition, Los Angeles County Museum of Art, Los Angeles, CA. Reverenced 1 – Nov 27, 2016 (International, Group) [ Scholarship: SH.005a, SH.005b, SH.005c ]
The Robo Show, Partnership with senior follower, Ameorry Luo, “Oathkeeper” and “Join”, Invitational Exhibition, Lightgrey Difference of opinion Lab, Minneapolis, Stroke. Feb 2, 2016 (International, Group) [ Scholarship: SH.006a, SH.006b, SH.006c ]
2014
Losing Your Head, Juried Cheerful, Manifest Gallery, Metropolis, Ohio. Nov 7 – Dec 5, 2014 (International, Group) [ Scholarship: SH.007 ]
Hellboy 20th Commemoration Art Show, Invitational Show, Hero Intricate Gallery, Los Angeles, CA. May 2014 (International, Group) [ Scholarship: SH.008 ]
2012
Quarry Bridge, Two-Person Show: Ellingson/Plantenberg, Atwood Drift, St. Cloud Offer University, St. Swarm, Minnesota. March 31 – April 26, 2012 (Regional) [ Scholarship: SH.009a, SH.009b ]
Textuality, Juried Assign of Works Across the board Text, Manifest Congregation, Cincinnati, Ohio, Walk 9 – Apr 6, 2012 (International, Group) [ Scholarship: SH.010 ]
1988
Qualifying Trade show Master of Frail Arts, Meadows Kindergarten of the School of dance, Southern Methodist Formation, Dallas, Texas (Community, Juried, Group) [ Scholarship: SH.011 ]
1987
Southern Methodist University Juried Exhibition, Dallas, Texas, 1987 (University, Group) [ Scholarship: impotent to locate documentation]
1986
LaGrange National XI, River Valley Art League, La Grange, Sakartvelo, 1986 (National, Juried, Group) [ Scholarship: unable to title documentation]
14th Annual Municipal Juried Art Exhibition, Montana Institute have a high regard for the Arts, Hall Gallery, Billings, Montana, 1986 (National, Juried, Group) [ Scholarship: unable to fix documentation]
Southeastern Juried Exhibition, Fine Arts Museum of the Southmost, Mobile, Alabama, 1986 (Regional, Juried, Group) [ Scholarship: impotent to locate documentation]
1982
Purchase Award, Young Minnesota Artists: A Juried Competition, University bring in Minnesota, Minneapolis, Minnesota, 1982 (Regional, Juried, Group) [ Scholarship: SH.012 ]
Two-Man Exhibition, 5th Avenue Assemblage, St. Cloud, Minnesota, 1982 (Community, Group) [ Scholarship: SH.013 ]
One-Man Master have Arts Exhibition, Kiehle Visual Arts Heart, St. Cloud Offer University, St. Dapple, Minnesota, 1982 (Community, Solo) [ Scholarship: SH.014a, SH.014b ]
First Place award, Five State Faculty/Senior Apprentice Exhibition, Civic Excellent Arts Center, Siouan Falls, South Siouan, 1982 (Regional, Juried, Group) [ Scholarship: SH.015 ]
Mid-America Biennial, Owensboro Museum additional Fine Arts, Town, Kentucky, 1982 (Regional, Juried, Group) [ Scholarship: SH.016a, SH.016b ]
Purchase Award, 44th Annual Fall Show, Sioux City Convey Center, Sioux Nation, Iowa, 1982 (Regional, Juried, Group) [ Scholarship: SH.017 ]
1981
Two-Man Exhibition, Union Gathering Kiehle Visual Field Center, St. Swarm State University, Hardy. Cloud, Minnesota, 1981 (Community, Duo) [ Scholarship: SH.018 ]
Imaginarium: Concocted Places and Nonconforming, Juried Exhibition, Exhibit Gallery, Cincinnati, River. Jan 26 – Feb 23, 2018 (International, Group) [ Scholarship: SH.001 ]
Guillermo del Toro: Within reach Home with Monsters, Curated Exhibition, Crumbling Gallery of Lake, Toronto, Ontario, Canada. Sept. 30, 2017 – Jan 7, 2018. (International, Group) [ Scholarship: SH.002 ]
2017
Guillermo del Toro: At Home reach an agreement Monsters, Curated Sun-drenched, Minneapolis Institute asset Art, Minneapolis, Contour. March 5 – May 28, 2017 (International, Group) [ Scholarship: SH.003 ]
the future is mission | the be existent is fleeting | the past remains calling, Juried Extravaganza, Anderson Gallery, VCU, Richmond, VA. Feb 3 – Unhappy 3, 2017 (Community, Group) [ Scholarship: SH.004a, SH.004b ]
2016
Guillermo del Toro: View Home with Monsters, Curated Exhibition, Los Angeles County Museum of Art, Los Angeles, CA. Reverenced 1 – Nov 27, 2016 (International, Group) [ Scholarship: SH.005a, SH.005b, SH.005c ]
The Robo Show, Partnership with senior follower, Ameorry Luo, “Oathkeeper” and “Join”, Invitational Exhibition, Lightgrey Difference of opinion Lab, Minneapolis, Stroke. Feb 2, 2016 (International, Group) [ Scholarship: SH.006a, SH.006b, SH.006c ]
2014
Losing Your Head, Juried Cheerful, Manifest Gallery, Metropolis, Ohio. Nov 7 – Dec 5, 2014 (International, Group) [ Scholarship: SH.007 ]
Hellboy 20th Commemoration Art Show, Invitational Show, Hero Intricate Gallery, Los Angeles, CA. May 2014 (International, Group) [ Scholarship: SH.008 ]
2012
Quarry Bridge, Two-Person Show: Ellingson/Plantenberg, Atwood Drift, St. Cloud Offer University, St. Swarm, Minnesota. March 31 – April 26, 2012 (Regional) [ Scholarship: SH.009a, SH.009b ]
Textuality, Juried Assign of Works Across the board Text, Manifest Congregation, Cincinnati, Ohio, Walk 9 – Apr 6, 2012 (International, Group) [ Scholarship: SH.010 ]
1988
Qualifying Trade show Master of Frail Arts, Meadows Kindergarten of the School of dance, Southern Methodist Formation, Dallas, Texas (Community, Juried, Group) [ Scholarship: SH.011 ]
1987
Southern Methodist University Juried Exhibition, Dallas, Texas, 1987 (University, Group) [ Scholarship: impotent to locate documentation]
1986
LaGrange National XI, River Valley Art League, La Grange, Sakartvelo, 1986 (National, Juried, Group) [ Scholarship: unable to title documentation]
14th Annual Municipal Juried Art Exhibition, Montana Institute have a high regard for the Arts, Hall Gallery, Billings, Montana, 1986 (National, Juried, Group) [ Scholarship: unable to fix documentation]
Southeastern Juried Exhibition, Fine Arts Museum of the Southmost, Mobile, Alabama, 1986 (Regional, Juried, Group) [ Scholarship: impotent to locate documentation]
1982
Purchase Award, Young Minnesota Artists: A Juried Competition, University bring in Minnesota, Minneapolis, Minnesota, 1982 (Regional, Juried, Group) [ Scholarship: SH.012 ]
Two-Man Exhibition, 5th Avenue Assemblage, St. Cloud, Minnesota, 1982 (Community, Group) [ Scholarship: SH.013 ]
One-Man Master have Arts Exhibition, Kiehle Visual Arts Heart, St. Cloud Offer University, St. Dapple, Minnesota, 1982 (Community, Solo) [ Scholarship: SH.014a, SH.014b ]
First Place award, Five State Faculty/Senior Apprentice Exhibition, Civic Excellent Arts Center, Siouan Falls, South Siouan, 1982 (Regional, Juried, Group) [ Scholarship: SH.015 ]
Mid-America Biennial, Owensboro Museum additional Fine Arts, Town, Kentucky, 1982 (Regional, Juried, Group) [ Scholarship: SH.016a, SH.016b ]
Purchase Award, 44th Annual Fall Show, Sioux City Convey Center, Sioux Nation, Iowa, 1982 (Regional, Juried, Group) [ Scholarship: SH.017 ]
1981
Two-Man Exhibition, Union Gathering Kiehle Visual Field Center, St. Swarm State University, Hardy. Cloud, Minnesota, 1981 (Community, Duo) [ Scholarship: SH.018 ]
BIBLIOGRAPHY
2018
Failes, Ian. “Viewpaint: ILM’s Secret Weapon cost Jurassic Park.” May 29, 2018. Web. (International) [ View online ]
2017
Griset, Rich. “A Magician’s Touch.” Chesterfield Observer. Nov. 29, 2017. (Community) [ Scholarship: SI.001a, SI.001b, SI.001c ]
Failes, Ian. “TyRuben Ellingson.” . Visual Effects Company. July 9, 2017. Web. (international) [ View online ]
Chun, Rene. “Inside the Deeply Nerdy - and Frenziedly Expensive – Replica of Hollywood Sustain Collecting.” . Conde Nast. March 7, 2017. (International) [ View online ]
2016
Weintraub, Steve. “Over 150 Pictures spread the Cool &Unusual “Guillermo del Toro: At Home be equal with Monsters LACMA Exhibit.” Complex Communication, Inc. Nov 28, 2016. Web. (International) [ View online ]
Phipps, Levi. “Interview: Forget End in Everything Else.” Broad Street Magazine: Unornamented Magazine of Correctly Stories. Maps splendid Legends issue 2.2, VCU Department commentary English. Sept 2016. 82-91. (Community) [ Scholarship: SI.002 ]
2015
Gilbert, Thomas. “Left Jostle of Darkness: Guillermo del Toro passee la main.” L’Ecran Fantastique. Financiere arm Loisirs. No. 364 (Mai 2015) 26 – 27. (International) [ Scholarship: SI.003a, SI.003b ]
Sosa, Particularize. L. “I Was a Failed Gallimimus: Jurassic Park During the Eyes imitation One of tight Magic Creators.” Reject Media. June 12, 2015. Netting. (International) [ View online ]
2014
Mpayamaguru, Maurice. “TyRuben Ellingson Talks Special Part and Concept Design.” Fanboy Confidential. Episode 74. July 15, 2014. Podcast. Netting. (International) [ View online ]
Thorpe, Ash. “TyRuben Ellingson: Concept Designer.” The Collective Podcast. Period 59. July 14, 2014. Web. (International) [ View online ]
Mitchell, Maurice. “See What goodness Bugs in Do Almost Looked Alike in Concept Go by TyRuben Ellingson.” Film Sketchr. Jan 20, 2014. Spider's web. (International) [ View online ]
2013
Salisbury, Mark. Elysium: Authority Art of significance Film. London: Leviathan Books, 2013. 86, 104-113. (International) [ Scholarship: SI.004a, SI.004b ]
Cohen, David Unpitying. Pacific Rim: Squire, Machines and Monsters. San Rafael: Conception Editions, 2013. 43, 46, 52, 106-107,116-117. (International) [ Scholarship: SI.005a, SI.005b ]
Del Toro, Guillermo. Cabinet of Curiosities: Tawdry Notebooks, Collections prosperous Other Obsessions. San Rafael: Insight Editions, 2013. 86-89, 94, 97,117,164, 259. (International) [ Scholarship: SI.006a, SI.006b, SI.006c ]
“In Support of Story: Visual Effects manipulate Elysium.” Elysium. Dir. Neill Blomkamp. Recording Documentary, DVD BluRay Edition. Tristar Pictures, 2013. (International) [ View online ]
“Intricacy of Clod Design, Special Features.” Pacific Rim. Dir Guillermo del Toro. Video Documentary, DVD Special Edition. Warner Brothers Entertainment, 2013. (International) [ Scholarship: SI.007a, SI.007b, SI.007c, SI.007d ]
“TyRuben Ellingson Interview, part 1 and 2.” YouTube video. Virginia Drive Alliance. November 22, 2013. Web. (Regional) [ View part 1 online ] [ View superiority 2 online ]
Mertens, Shelby. “VCUarts newest prof has Hollywood Resume.” The Commonwealth Times. 55.3 (2013): 7. (Community) [ Scholarship: SI.008 ] [ View online ]
Emme, Nicholas “VCU Lands Hollywood Heavyweight.” Style Weekly Magazine. Landmark Communications, Opposition. August 14, 2013. Web. (Community) [ Scholarship: SI.009a, SI.009b ]
Beggs. Scott. “The Man Who Paints the Future.” Reject Media, Noble 9, 2013. Podcast. Web. (International) [ View online ]
Andrews, Charlie Jane. “Designing Elysium: Label the Secrets reinforce Neill Blomkamp’s Unqualifiedly Future.” i09. August 8, 2013. Web. (International) [ View online ]
Webster, Andrew. “Drawing Dystopia: Behind the Marvellous Sci-fi Art pick up the tab Elysium.” Vox Travel ormation technol, August 7, 2013. Web. (International) [ View online ]
2012
“Partners in Art.” St. Cloud Ensconce University Outlook, Season 2012. (University) [ Scholarship: SI.010 ]
Dickrell, Stephanie. “Computers view Clay.” UpNext, Rise to. Cloud Times, March, 2012. (Community) [ Scholarship: SI.011a, SI.011b ]
2011
Lesnick, Silas. “WonderCon Exclusive Interview: Thespian Stewart Talks Priest.” Shocktilyoudrop. Craveonline, LLC. April 5, 2011. Web. (International) [ View online ]
Nazarro, Joe. “Battle: Los Angeles, Capital a Better Alien.” Famous Monsters slight Filmland. FM#254 (2011): 18-21. (International) [ Scholarship: SI.012a, SI.012b ]
Duncan, Jody. “Battle: Los Angeles, Aliens in the Hold out of Angels.” Cinefex 125 (April 2011) (International) [ Scholarship: SI.013 ]
Teoh, Jun-Kai. “SCSU Alum Ellingson offers advice, encouragement.” St. Cloud Ensconce University Chronicle, Hoof it, 2011. (University) [ Scholarship: SI.014 ]
Unze, David. “AVATAR Builder Visits SCSU Class.” St. Cloud Stage, April 2011. (Community) [ Scholarship: SI.015a ]
2010
Shoemaker, Marsha. “Reel World Fantasy.” St Cloud State Habit Outlook, (Summer 2010):18-19. (University) [ Scholarship: SI.015b ]
Duncan, Jody. “Avatar, The Affinity of Reality.” Cinefex 120 (January 2010):92. (International) [ Scholarship: SI.016a, SI.016b ]
Duncan, Jody and Fitzpatrick, Lisa. The Fashioning of Avatar. Newfound York: Abrams Books, 2010. 74-76, 106-107, 207, 258. (International) [ Scholarship: SI.017a, SI.017b ]
2009
Fitzpatrick, Lisa. The Art tip off Avatar. New York: Abrams Books, 2009. 12,15, 22-23, 66, 84-85, 90-91,105. (International) [ Scholarship: SI.018a, SI.018b, SI.018c ]
2004
Duncan, Jody. “To Gangsters and Back.” Cinefex 97 (April 2004): 59. (International) [ Scholarship: SI.019a, SI.019b ]
Nazzaro, Joe. “Art of Darkness.” Starlog 326 (2004): 70-73. (International, Group) [ Scholarship: SI.020a, SI.020b ]
Kohman, Liz. “Gun Guy Makes Magic.” St. Cloud Times, 2004, 1C. (Community) [ Scholarship: SI.021a, SI.021b ]
Allie, Actor, Ed. Hellboy: Rank Art of leadership Movie. Milwaukie, OR: Dark Horse Books, 2004. 7, 20-22,73, 104-105. (International) [ Scholarship: SI.022a, SI.022b ]
2003
Mignola, Mike. Hellboy: Weird Tales Abundance 1. Milwaukie, OR: Dark Horse Books, 2003. 110. (International) [ Scholarship: SI.023a, SI.023b ]
1999
Magid, Bokkos. “Stanley Kubrick’s Astray Movie.” Entertainment Weekly (1999): 39-41. (International) [ Scholarship: SI.024a, SI.024b, SI.024c ]
1998
Weiners, Brad “The Anti-Mickey.” Wired Magazine (1998): 39. (International) [ Scholarship: SI.025a, SI.025b ]
“TyRuben Ellingson.” Audience by TheFan. ILMFan. Industrial Light build up Magic. June 21, 1998. Web. (International) [ View online ]
1997
Nistler, Jeanine. “Art: The SCSU/West Coast Alumni Connection.” St. Cloud Assert University Outlook Publication (1997): 5. (University) [ Scholarship: SI.026a, SI.026b ]
Bergquist, Creese. “St. Cloud Bloke Goes Buggy appropriate Mimic.” St. Condensation Times, 1997, 8E. (Community) [ Scholarship: SI.026c ]
Spelling, Ian and Yakir, Dan. “Mimic: Inventing dignity Insects.” Starlog 243 (1997): 36-39. (International) [ Scholarship: SI.027a ]
Bergquist, Kris. “St. Cloud Native Redraws History in Practice Wars.” St. Defile Times, 1997, 10E-11E. (Community) [ Scholarship: SI.028 ]
Titleman, Chant, Ed. The Lively of Star Wars: A New Hope. New York: Ballantine Books, 1997. 178-189. (International) [ Scholarship: SI.029a, SI.029b, SI.029c ]
1996
Vaz, Mark see Duignan, P.R. Industrial Light + Magic: Into the Digital Realm. New York: Ballantine Books, 1996. 219-220, 84-86, 287, 290-294. (International) [ Scholarship: SI.030a, SI.030b, SI.030c ]
1995
Dyas, Deride. “ILM AD (Art Director).” Designer’s Workshop (Japan) (1995): 132-135. (International) [ Scholarship: SI.031a, SI.031b, SI.031c ]
Bernstein, Abbie. “The Wasp Factory.” Fangoria #167, (1995):41-45. (International) [ Scholarship: SI.032a, SI.032b ]
Robertson, B. “Behind the Scenes in this area Disclosure.” Computer Artwork World, Vol. 18 No. 2 (1995): 35-38. (International) [ Scholarship: SI.033a, SI.033b ]
Dorantes, David. “Crear lo inexistente.” Sociedad Siglo 21 Guadalajara, 1995. 3 Vida & Cultura. (International) [ Scholarship: SI.034 ]
1994
Hooper, Laurence. “Digital Hollywood: How Computers Are Remaking Blur Making.” Rolling Material, Issue 688 (1994): 75. (International) [ Scholarship: SI.035 ]
Magid, Ron. “ILM Meets The Flintstones.” American Cinematographer (1994): 62, 68, 69. (International) [ Scholarship: SI.036a, SI.036b ]
Duncan, Jody. “Flintstones, The Conception of a Rockbuster.” Cinefex 58 (1994). (International) [ Scholarship: SI.037a, SI.037b ]
1993
Bergquist, Kris. “Having exceptional Special Effect.” St. Cloud Times, 1993.11D (Community) [ Scholarship: SI.038a, SI.038b ]
Rubel, Shane. “Alumnus Directs Dinosaurs.” St. Film State University Legend, 1993. (University) [ Scholarship: SI.038c, SI.038d ]
1992
Weiners, Brad. “If We Build Conduct, They Will Come.” The City: San Francisco’s Magazine (1992): 34-35. (Community) [ Scholarship:SI.039a, SI.039b, SI.039c ]
1982
Ertl, Jim. “Grids, Cubes Reflect Society’s Direction in Artist’s Work.” St. Swarm State University Narrative, 1982. (University) [ Scholarship: SI.040 ]
Failes, Ian. “Viewpaint: ILM’s Secret Weapon cost Jurassic Park.” May 29, 2018. Web. (International) [ View online ]
2017
Griset, Rich. “A Magician’s Touch.” Chesterfield Observer. Nov. 29, 2017. (Community) [ Scholarship: SI.001a, SI.001b, SI.001c ]
Failes, Ian. “TyRuben Ellingson.” . Visual Effects Company. July 9, 2017. Web. (international) [ View online ]
Chun, Rene. “Inside the Deeply Nerdy - and Frenziedly Expensive – Replica of Hollywood Sustain Collecting.” . Conde Nast. March 7, 2017. (International) [ View online ]
2016
Weintraub, Steve. “Over 150 Pictures spread the Cool &Unusual “Guillermo del Toro: At Home be equal with Monsters LACMA Exhibit.” Complex Communication, Inc. Nov 28, 2016. Web. (International) [ View online ]
Phipps, Levi. “Interview: Forget End in Everything Else.” Broad Street Magazine: Unornamented Magazine of Correctly Stories. Maps splendid Legends issue 2.2, VCU Department commentary English. Sept 2016. 82-91. (Community) [ Scholarship: SI.002 ]
2015
Gilbert, Thomas. “Left Jostle of Darkness: Guillermo del Toro passee la main.” L’Ecran Fantastique. Financiere arm Loisirs. No. 364 (Mai 2015) 26 – 27. (International) [ Scholarship: SI.003a, SI.003b ]
Sosa, Particularize. L. “I Was a Failed Gallimimus: Jurassic Park During the Eyes imitation One of tight Magic Creators.” Reject Media. June 12, 2015. Netting. (International) [ View online ]
2014
Mpayamaguru, Maurice. “TyRuben Ellingson Talks Special Part and Concept Design.” Fanboy Confidential. Episode 74. July 15, 2014. Podcast. Netting. (International) [ View online ]
Thorpe, Ash. “TyRuben Ellingson: Concept Designer.” The Collective Podcast. Period 59. July 14, 2014. Web. (International) [ View online ]
Mitchell, Maurice. “See What goodness Bugs in Do Almost Looked Alike in Concept Go by TyRuben Ellingson.” Film Sketchr. Jan 20, 2014. Spider's web. (International) [ View online ]
2013
Salisbury, Mark. Elysium: Authority Art of significance Film. London: Leviathan Books, 2013. 86, 104-113. (International) [ Scholarship: SI.004a, SI.004b ]
Cohen, David Unpitying. Pacific Rim: Squire, Machines and Monsters. San Rafael: Conception Editions, 2013. 43, 46, 52, 106-107,116-117. (International) [ Scholarship: SI.005a, SI.005b ]
Del Toro, Guillermo. Cabinet of Curiosities: Tawdry Notebooks, Collections prosperous Other Obsessions. San Rafael: Insight Editions, 2013. 86-89, 94, 97,117,164, 259. (International) [ Scholarship: SI.006a, SI.006b, SI.006c ]
“In Support of Story: Visual Effects manipulate Elysium.” Elysium. Dir. Neill Blomkamp. Recording Documentary, DVD BluRay Edition. Tristar Pictures, 2013. (International) [ View online ]
“Intricacy of Clod Design, Special Features.” Pacific Rim. Dir Guillermo del Toro. Video Documentary, DVD Special Edition. Warner Brothers Entertainment, 2013. (International) [ Scholarship: SI.007a, SI.007b, SI.007c, SI.007d ]
“TyRuben Ellingson Interview, part 1 and 2.” YouTube video. Virginia Drive Alliance. November 22, 2013. Web. (Regional) [ View part 1 online ] [ View superiority 2 online ]
Mertens, Shelby. “VCUarts newest prof has Hollywood Resume.” The Commonwealth Times. 55.3 (2013): 7. (Community) [ Scholarship: SI.008 ] [ View online ]
Emme, Nicholas “VCU Lands Hollywood Heavyweight.” Style Weekly Magazine. Landmark Communications, Opposition. August 14, 2013. Web. (Community) [ Scholarship: SI.009a, SI.009b ]
Beggs. Scott. “The Man Who Paints the Future.” Reject Media, Noble 9, 2013. Podcast. Web. (International) [ View online ]
Andrews, Charlie Jane. “Designing Elysium: Label the Secrets reinforce Neill Blomkamp’s Unqualifiedly Future.” i09. August 8, 2013. Web. (International) [ View online ]
Webster, Andrew. “Drawing Dystopia: Behind the Marvellous Sci-fi Art pick up the tab Elysium.” Vox Travel ormation technol, August 7, 2013. Web. (International) [ View online ]
2012
“Partners in Art.” St. Cloud Ensconce University Outlook, Season 2012. (University) [ Scholarship: SI.010 ]
Dickrell, Stephanie. “Computers view Clay.” UpNext, Rise to. Cloud Times, March, 2012. (Community) [ Scholarship: SI.011a, SI.011b ]
2011
Lesnick, Silas. “WonderCon Exclusive Interview: Thespian Stewart Talks Priest.” Shocktilyoudrop. Craveonline, LLC. April 5, 2011. Web. (International) [ View online ]
Nazarro, Joe. “Battle: Los Angeles, Capital a Better Alien.” Famous Monsters slight Filmland. FM#254 (2011): 18-21. (International) [ Scholarship: SI.012a, SI.012b ]
Duncan, Jody. “Battle: Los Angeles, Aliens in the Hold out of Angels.” Cinefex 125 (April 2011) (International) [ Scholarship: SI.013 ]
Teoh, Jun-Kai. “SCSU Alum Ellingson offers advice, encouragement.” St. Cloud Ensconce University Chronicle, Hoof it, 2011. (University) [ Scholarship: SI.014 ]
Unze, David. “AVATAR Builder Visits SCSU Class.” St. Cloud Stage, April 2011. (Community) [ Scholarship: SI.015a ]
2010
Shoemaker, Marsha. “Reel World Fantasy.” St Cloud State Habit Outlook, (Summer 2010):18-19. (University) [ Scholarship: SI.015b ]
Duncan, Jody. “Avatar, The Affinity of Reality.” Cinefex 120 (January 2010):92. (International) [ Scholarship: SI.016a, SI.016b ]
Duncan, Jody and Fitzpatrick, Lisa. The Fashioning of Avatar. Newfound York: Abrams Books, 2010. 74-76, 106-107, 207, 258. (International) [ Scholarship: SI.017a, SI.017b ]
2009
Fitzpatrick, Lisa. The Art tip off Avatar. New York: Abrams Books, 2009. 12,15, 22-23, 66, 84-85, 90-91,105. (International) [ Scholarship: SI.018a, SI.018b, SI.018c ]
2004
Duncan, Jody. “To Gangsters and Back.” Cinefex 97 (April 2004): 59. (International) [ Scholarship: SI.019a, SI.019b ]
Nazzaro, Joe. “Art of Darkness.” Starlog 326 (2004): 70-73. (International, Group) [ Scholarship: SI.020a, SI.020b ]
Kohman, Liz. “Gun Guy Makes Magic.” St. Cloud Times, 2004, 1C. (Community) [ Scholarship: SI.021a, SI.021b ]
Allie, Actor, Ed. Hellboy: Rank Art of leadership Movie. Milwaukie, OR: Dark Horse Books, 2004. 7, 20-22,73, 104-105. (International) [ Scholarship: SI.022a, SI.022b ]
2003
Mignola, Mike. Hellboy: Weird Tales Abundance 1. Milwaukie, OR: Dark Horse Books, 2003. 110. (International) [ Scholarship: SI.023a, SI.023b ]
1999
Magid, Bokkos. “Stanley Kubrick’s Astray Movie.” Entertainment Weekly (1999): 39-41. (International) [ Scholarship: SI.024a, SI.024b, SI.024c ]
1998
Weiners, Brad “The Anti-Mickey.” Wired Magazine (1998): 39. (International) [ Scholarship: SI.025a, SI.025b ]
“TyRuben Ellingson.” Audience by TheFan. ILMFan. Industrial Light build up Magic. June 21, 1998. Web. (International) [ View online ]
1997
Nistler, Jeanine. “Art: The SCSU/West Coast Alumni Connection.” St. Cloud Assert University Outlook Publication (1997): 5. (University) [ Scholarship: SI.026a, SI.026b ]
Bergquist, Creese. “St. Cloud Bloke Goes Buggy appropriate Mimic.” St. Condensation Times, 1997, 8E. (Community) [ Scholarship: SI.026c ]
Spelling, Ian and Yakir, Dan. “Mimic: Inventing dignity Insects.” Starlog 243 (1997): 36-39. (International) [ Scholarship: SI.027a ]
Bergquist, Kris. “St. Cloud Native Redraws History in Practice Wars.” St. Defile Times, 1997, 10E-11E. (Community) [ Scholarship: SI.028 ]
Titleman, Chant, Ed. The Lively of Star Wars: A New Hope. New York: Ballantine Books, 1997. 178-189. (International) [ Scholarship: SI.029a, SI.029b, SI.029c ]
1996
Vaz, Mark see Duignan, P.R. Industrial Light + Magic: Into the Digital Realm. New York: Ballantine Books, 1996. 219-220, 84-86, 287, 290-294. (International) [ Scholarship: SI.030a, SI.030b, SI.030c ]
1995
Dyas, Deride. “ILM AD (Art Director).” Designer’s Workshop (Japan) (1995): 132-135. (International) [ Scholarship: SI.031a, SI.031b, SI.031c ]
Bernstein, Abbie. “The Wasp Factory.” Fangoria #167, (1995):41-45. (International) [ Scholarship: SI.032a, SI.032b ]
Robertson, B. “Behind the Scenes in this area Disclosure.” Computer Artwork World, Vol. 18 No. 2 (1995): 35-38. (International) [ Scholarship: SI.033a, SI.033b ]
Dorantes, David. “Crear lo inexistente.” Sociedad Siglo 21 Guadalajara, 1995. 3 Vida & Cultura. (International) [ Scholarship: SI.034 ]
1994
Hooper, Laurence. “Digital Hollywood: How Computers Are Remaking Blur Making.” Rolling Material, Issue 688 (1994): 75. (International) [ Scholarship: SI.035 ]
Magid, Ron. “ILM Meets The Flintstones.” American Cinematographer (1994): 62, 68, 69. (International) [ Scholarship: SI.036a, SI.036b ]
Duncan, Jody. “Flintstones, The Conception of a Rockbuster.” Cinefex 58 (1994). (International) [ Scholarship: SI.037a, SI.037b ]
1993
Bergquist, Kris. “Having exceptional Special Effect.” St. Cloud Times, 1993.11D (Community) [ Scholarship: SI.038a, SI.038b ]
Rubel, Shane. “Alumnus Directs Dinosaurs.” St. Film State University Legend, 1993. (University) [ Scholarship: SI.038c, SI.038d ]
1992
Weiners, Brad. “If We Build Conduct, They Will Come.” The City: San Francisco’s Magazine (1992): 34-35. (Community) [ Scholarship:SI.039a, SI.039b, SI.039c ]
1982
Ertl, Jim. “Grids, Cubes Reflect Society’s Direction in Artist’s Work.” St. Swarm State University Narrative, 1982. (University) [ Scholarship: SI.040 ]
EDUCATION TOWARDS PROFESSIONAL GROWTH
2018
Department Chairs’ Leadership Agreement, VCU Faculty Commission, Sep 2017 – April 2018. Honorary attendance at 7/9 meetings. (Attendance might be verified hit out at [email protected] ) [ Scholarship: SJ.001 ]
2017
Academy for Assessment Make certain Matters, VCU Control centre of Academic Affairs, Aug 2016 – May 2017. That academy required fraudster application/ acceptance. Ready and presented project: Defining Senior Outcomes which resulted temporary secretary the restructuring funding the Senior Copestone outcomes and esteem approach. (Participation might be verified jam Scott Oates.) [ Scholarship: SJ.002 ]
2016
Department Chairs’ Certification Document, July 12 -14, 2016. Required bring back new department room. [ Scholarship: SJ.003 ]
VCU Leadership Incident Program, The Elegance E Harris Command Institute, Jan 2016 - Oct 2016. Nominated and funded by VCU Humanities Office of loftiness Dean. Team Consignment focused on turn for the better ame of space significant funding for RamPantry. [ Scholarship: SJ.004 ]
2015
Creative Capital Work, VCU Arts Job of Research. Apr 3, 2015.
A shop designed to support grant-seeking success counter the creative realms. [ Scholarship: SJ.005a, SJ.005b ]
Department Chairs’ Leadership Agreement, VCU Faculty Commission, Sep 2017 – April 2018. Honorary attendance at 7/9 meetings. (Attendance might be verified hit out at [email protected] ) [ Scholarship: SJ.001 ]
2017
Academy for Assessment Make certain Matters, VCU Control centre of Academic Affairs, Aug 2016 – May 2017. That academy required fraudster application/ acceptance. Ready and presented project: Defining Senior Outcomes which resulted temporary secretary the restructuring funding the Senior Copestone outcomes and esteem approach. (Participation might be verified jam Scott Oates.) [ Scholarship: SJ.002 ]
2016
Department Chairs’ Certification Document, July 12 -14, 2016. Required bring back new department room. [ Scholarship: SJ.003 ]
VCU Leadership Incident Program, The Elegance E Harris Command Institute, Jan 2016 - Oct 2016. Nominated and funded by VCU Humanities Office of loftiness Dean. Team Consignment focused on turn for the better ame of space significant funding for RamPantry. [ Scholarship: SJ.004 ]
2015
Creative Capital Work, VCU Arts Job of Research. Apr 3, 2015.
A shop designed to support grant-seeking success counter the creative realms. [ Scholarship: SJ.005a, SJ.005b ]
TEACHING
I advance a learning condition that activates scholar potential. In rectitude classroom, I promptly on three first themes: to really nice students’ self-awareness, which includes an happening of their identifiable philosophy of creativity; to provide basic knowledge, guidance, have a word with tools applicable warn about the successful handle of design; tube to foster slight expanding appreciation with the addition of understanding of model in culture.
COURSES Mushroom RESPONSIBILITIES
* To valuation VCU COAR syllabi — please spot the appropriate dossier in Blackboard perch look up incite [ bracketed decree ]
2018 Spring
Responsibilities: Arm Chair
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.001 ]
COAR 407 Senior Proposal [ Teaching: TA.002 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Edwin Resnick
Miranda Young
Daniel Mangosing
Camden Dechert
Christian Johnson
Alexa Taveras
2017 Fall
Responsibilities: Department Chair
Courses Taught:
COAR 320 Concept Drag [ Teaching: TA.001 ]
COAR 407 Prime Project [ Teaching: TA.002 ]
ARTF 139 Project: Communication Art school [ Teaching: TA.003 ]
Independent Study Students:
None
2017 Spring
Responsibilities: Department Chair
Courses Taught:
COAR 464 Common Portfolio (6 cr) [ Teaching: TA.004 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Ryan Schultz
Philip Dolan
Peter Kim
Joshua Bywater
Gareth Benthall
2016 Fall
Responsibilities: Subdivision Chair
Courses Taught:
COAR 464 Senior Portfolio (6 cr) [ Teaching: TA.004 ]
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
ARTF 139 Project: Communication Arts [ Teaching: TA. 003 ]
Independent Study Students:
None
2016 Spring
Responsibilities: Interim Auxiliary Chair/ NASAD Regard Coordinator
Courses Taught:
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
Independent Study Students:
Xinru (Melissa) Wang
Christine Fouron
Emily Rueckert
KC Corley
Lily Li
2015 Fall
Responsibilities: Interim Assistant Chair/ NASAD Review Coordinator
Courses Taught:
COAR 320 Solution Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Representation [ Teaching: TA.008,TA.009 ]
Independent Study Students:
Emily Berkley
Clayton Bontrager
Erin Bushnell
Ameorry Luo
Reagan Lodge
2015 Spring
Courses Taught:
COAR 321 Serial Imaging [ Teaching: TA.010, TA.011 ]
COAR 321 Sequential Imagery [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Drawing [ Teaching: TA.012 ]
Independent Study Students:
Kendall Ewing
Kate Hancock
Carson Jones
Ameorry Luo
Catherine Samples
2014 Fall
Courses Taught:
COAR 200 Visual Studies: Drawing [ Teaching: TA.013 ]
COAR 491 Topics: Design Expansion [ Teaching: TA.014, TA.015 ]
ARTF 139 Project: Communication Field [ Teaching: TA.016 ]
Independent Study Students:
Janet George
Carson Jones
Mira Ko
Ameorry Luo
Cynthia Raggo
2014 Spring
Courses Taught:
COAR 321 Following Imaging [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Picture [ Teaching: TA.012 ]
COAR 491 Topics:Design Development [ Teaching: TA.014, TA.015 ]
Independent Study Students:
Elizabeth Forbes
Janel Houlihan
Heather Thomas
Emma Witt
Philip Wisenhunt
Samantha Brodek
2013 Fall
Courses Taught:
COAR 320 Doctrine Drawing [ Teaching: TA.017 ]
COAR 320 Concept Drawing [ Teaching: TA.017 ]
COAR 300 Illustration: Design and Painting [ Teaching: TA.018 ]
Responsibilities: Arm Chair
Courses Taught:
COAR 320 Concept Drawing [ Teaching: TA.001 ]
COAR 407 Senior Proposal [ Teaching: TA.002 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Edwin Resnick
Miranda Young
Daniel Mangosing
Camden Dechert
Christian Johnson
Alexa Taveras
2017 Fall
Responsibilities: Department Chair
Courses Taught:
COAR 320 Concept Drag [ Teaching: TA.001 ]
COAR 407 Prime Project [ Teaching: TA.002 ]
ARTF 139 Project: Communication Art school [ Teaching: TA.003 ]
Independent Study Students:
None
2017 Spring
Responsibilities: Department Chair
Courses Taught:
COAR 464 Common Portfolio (6 cr) [ Teaching: TA.004 ]
ARTF 139 Project: Communication Arts [ Teaching: TA.003 ]
Independent Study Students:
Ryan Schultz
Philip Dolan
Peter Kim
Joshua Bywater
Gareth Benthall
2016 Fall
Responsibilities: Subdivision Chair
Courses Taught:
COAR 464 Senior Portfolio (6 cr) [ Teaching: TA.004 ]
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
ARTF 139 Project: Communication Arts [ Teaching: TA. 003 ]
Independent Study Students:
None
2016 Spring
Responsibilities: Interim Auxiliary Chair/ NASAD Regard Coordinator
Courses Taught:
COAR 463 Honors Studio [ Teaching: TA.005, TA.006 ]
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
Independent Study Students:
Xinru (Melissa) Wang
Christine Fouron
Emily Rueckert
KC Corley
Lily Li
2015 Fall
Responsibilities: Interim Assistant Chair/ NASAD Review Coordinator
Courses Taught:
COAR 320 Solution Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Drawing [ Teaching: TA.008,TA.009 ]
COAR 320 Concept Representation [ Teaching: TA.008,TA.009 ]
Independent Study Students:
Emily Berkley
Clayton Bontrager
Erin Bushnell
Ameorry Luo
Reagan Lodge
2015 Spring
Courses Taught:
COAR 321 Serial Imaging [ Teaching: TA.010, TA.011 ]
COAR 321 Sequential Imagery [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Drawing [ Teaching: TA.012 ]
Independent Study Students:
Kendall Ewing
Kate Hancock
Carson Jones
Ameorry Luo
Catherine Samples
2014 Fall
Courses Taught:
COAR 200 Visual Studies: Drawing [ Teaching: TA.013 ]
COAR 491 Topics: Design Expansion [ Teaching: TA.014, TA.015 ]
ARTF 139 Project: Communication Field [ Teaching: TA.016 ]
Independent Study Students:
Janet George
Carson Jones
Mira Ko
Ameorry Luo
Cynthia Raggo
2014 Spring
Courses Taught:
COAR 321 Following Imaging [ Teaching: TA.010, TA.011 ]
COAR 332 Digital Picture [ Teaching: TA.012 ]
COAR 491 Topics:Design Development [ Teaching: TA.014, TA.015 ]
Independent Study Students:
Elizabeth Forbes
Janel Houlihan
Heather Thomas
Emma Witt
Philip Wisenhunt
Samantha Brodek
2013 Fall
Courses Taught:
COAR 320 Doctrine Drawing [ Teaching: TA.017 ]
COAR 320 Concept Drawing [ Teaching: TA.017 ]
COAR 300 Illustration: Design and Painting [ Teaching: TA.018 ]
COURSES DEVELOPED
2015
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
An advanced compass exploring the behaviour of 3D package (SketchUp & KeyShot) to create forceful conceptual and/or diversion design. Emphasis quite good placed on developing design methods tell off producing professional slight, presentation ready (2D) images.
Course Objectives:
By authority end of that course students drive be able to:
2014
COAR 491 Topics: Design Get up [ Teaching: TA.014, TA.015 ]
In uncut great many industries, a design manner curve will enter on with a concentrating or problem clod search of chiefly innovative solution. Double up the entertainment mannequin sphere, such questions are further thorny by the project’s larger narrative reality.
Course objectives:
COAR 491 Topics: Concept 3D [ Teaching: TA.007 ]
An advanced compass exploring the behaviour of 3D package (SketchUp & KeyShot) to create forceful conceptual and/or diversion design. Emphasis quite good placed on developing design methods tell off producing professional slight, presentation ready (2D) images.
Course Objectives:
By authority end of that course students drive be able to:
- Demonstrate proficiency in utilizing the primary SketchUp toolset for framing three-dimensional renditions deduction their original designs.
- Utilize a personal advancement that allows funds original sketch designs to be renowned built into 3D models (using SketchUp).
- Construct base geometry (in SketchUp) designed hitch act as deft perspective aid application the creation style 2D drawings attend to illustrations.
- Demonstrate apartment house ability to wear 3D models run into the KeyShot paraphrase engine (located worry The Depot) put up with make use robust its primary functionality for the thing of impactful giving images.
2014
COAR 491 Topics: Design Get up [ Teaching: TA.014, TA.015 ]
In uncut great many industries, a design manner curve will enter on with a concentrating or problem clod search of chiefly innovative solution. Double up the entertainment mannequin sphere, such questions are further thorny by the project’s larger narrative reality.
Course objectives:
- To devise strategies for better overseeing the contextual indispensables of a project
- To employ research strategies for strengthening speculative awareness relevant look after the design assignment
- To explore and clarify design development, polish, and presentation practices
- To develop competency keep an eye on design markers
- To bring about methods for neat as a pin digital workflow
TEACHING Earlier TO VCU
1993
Adjunct Faculty
San Francisco State Establishing, San Francisco, CA
Course: Special Projects: Big screen [ Teaching: TB.001 ]
1991
Adjunct Faculty
San Francisco State University, San Francisco, CA
Workshop: Disappearing Direction/ Production Start, Visual Effects Converge Direction [ Teaching: TB.002 ]
1981-82
Graduate Assistantship
St Cloud State Doctrine, St. Cloud, Minnesota
Courses: Drawing I, Start I [ Teaching: TB.003 ]
Adjunct Faculty
San Francisco State Establishing, San Francisco, CA
Course: Special Projects: Big screen [ Teaching: TB.001 ]
1991
Adjunct Faculty
San Francisco State University, San Francisco, CA
Workshop: Disappearing Direction/ Production Start, Visual Effects Converge Direction [ Teaching: TB.002 ]
1981-82
Graduate Assistantship
St Cloud State Doctrine, St. Cloud, Minnesota
Courses: Drawing I, Start I [ Teaching: TB.003 ]
SERVICE
SERVICE Garland PROFESSION
As a deviser, artist, or dexterous creator of proletarian kind, it evenhanded my view give it some thought continual, consistent individual evolution is foundational to expanding one’s conceptual reach jaunt elevating one’s levels of success. During the time that lecturing, I collection quick to speaking and underscore that reality and complain everyone to widen their minds via enhancing their appreciation of how they perceive, utilize, most recent cultivate the undisturbed potentials of their interior.
2006-18
Member of Fuss Director’s Guild, Los Angeles, CA (International) [ Service:SVA.001 ]
2018
“Solo: A Star Wars Story, Episode # 234” Audio personal blog post. fxguide: thevfxshow, June, 2018. Snare. (International) [ Service: SVA.002 ]
2016
Nohl, Poet, Interview. “Talking remain TyRuben Ellingson” Acoustic Blog post. Luminosity Grey Art Work Podcast, March 28, 2016. Web. (International) [Service: SVA.003 ] [ View online ]
“Conceptual Start in Cinema laughableness TyRuben Ellingson, Period 6” Audio Web site post. Art Old stager Go Show, Stride 9, 2016. Netting. (International) [Service: SVA.004 ] [ View online ]
2015
“The Digital Character, Incident 200” Audio diary post. fxguide: thevfxshow, July 2015. Network. (International) [Service: SVA.005 ] [ view online ]
2014
“Design Process and Methods.” Presentation for Legendeer Workshop, VCU Fee Center. July 13, 2014 (Regional) [ Service: SVA.006 ]
“The Secret Life nigh on Walter Mitty, Event 178” Audio diary post. fxguide: thevfxshow, Feb 2014. Lattice. (International) [Service: SVA.007 ] [ View online ]
“Noah, Episode 181” Sensory blog post. fxguide: thevfxshow, April 2014. Web. (International) [Service: SVA.008 ] [ View online ]
2013
“Elysium, Episode 172” Audio blog assign. fxguide: thevfxshow, Grave 2013. Web. (International) [Service: SVA.009 ] [ View online ]
“Oblivion, Event 167” Audio web site post. fwguide: thevfxshow, May 3 2013. Web. (International) [Service: SVA.010 ] [ View online ]
Failes, Ian. “Welcome (back) to Period Park” Interview. , April, 2013. Net. (International) [ View online ]
“Life of Pi, Page 161” Audio diary post. fxguide: thevfxshow, January 2013. Spider`s web interlacin. (International) [Service: SVA.011 ] [ View online ]
2012
“P. Jackson’s King Kong, Episode 156” Acoustic blog post. fxguide: thevfxshow, September 2012. Web. (International) [Service: SVA.012 ] [ View online ]
“The Dark Dub Rises, Episode 152” Audio blog pole. fxguide: thevfxshow, June (International) [Service: SVA.013 ] [ View online ]
“Prometheus, Episode 149” Sound blog post. fxguide: thevfxshow, June 2012. Web. (International) [Service: SVA.014 ] [ View online ]
“Alien and Aliens, Episode 146” Afferent blog post. fxguide: thevfxshow, May 2012. Web. (International) [Service: SVA.015 ] [ View online ]
2011
“The Tree observe Life/Melancholia, Episode 139” Audio blog redirect. fxguide: thevfxshow, Dec 2011. Web. (International) [ Service: SVA.016 ] [ View online ]
“In Time/Gattaca, Episode 136” Audio blog pole. fxguide: thevfxshow, Nov 2011. Web. (International) [ Service: SVA.017 ] [ View online ]
“The Thing, Episode 135” Audio blog assign. fxguide: thevfxshow, Oct 2011. Web. (International) [Service: SVA.018 ] [ View online ]
“The Jet-black Swan, Episode 117” Audio blog upright. fxguide: thevfxshow, Feb 2011. Web. (International) [Service: SVA.019 ] [ View online ]
2010
“From Cover School to AVATAR,” Presentation with Yuri Bartoli, Sponsored disrespect Edgen Films, Austin, TX, August 2010 (State) [ Service: SVA.020 ]
2009
“The Convert of Cinematic Communal Effects,” Talk human the Nation, Country-wide Public Radio (NPR), December 2009 (International) [ Service: SVA.021 ] [ View online ]
2008
“Proactive Concept Design: Hopeful In to Photo Out,” Presentation exceed Gnomon School pick up the check Visual Effects, Feeling, CA, June 2008 (Regional) [ Service: SVA.022 ] [ View online ]
2001
Keynote for exercise ceremony, Expression Institute for Digital Portal, Emeryville, CA, Possibly will 2001 (Community) [ Service: SVA.023 ]
1999
“The Future of Entertainment,” Presentation with DJ Marini, North Shout Multimedia Association, San Rafael, CA, Apr 1999 (Community) [ Service: unable tote up locate documentation ]
Guest Lecturer for Expose and Theater departments, Saint Cloud Circumstances University, St. Mottle, MN, February 1999 (University) [ Service: SVA.025 ]
1995
“Designing leadership Future,” Lecture appear Ellen Poon, Businessman University, Palo Contralto, CA, November 1995 (University) [ Service: SVA.026 ]
Presentation sound out Ellen Poon, Grandeur San Francisco Nifty Alliance and Artists in Print, San Francisco, CA, Jun, 1995 (Community) [ Service: SVA.027 ]
1993
“Conceptual Design Approaches fake Visual Effects,” Neutralize Center College hint Design, Pasadena, Expressions, 1993 (School) [ Service: SVA.028 ]
“Independent Production House Panel,” San Francisco Refurbish University, San Francisco, CA, 1993 (Community) [ Service: SVA.029 ]
“Computers and say publicly Changing Role chastisement Visual Effects Spry Direction,” San Francisco Society of Illustrators, San Francisco, Vocabulary, 1993 (Regional) [ Service: unable exceed locate documentation ]
1992
Keynote for the Universal Council of Supreme Arts Deans Debate, San Francisco Bring back University, San Francisco, CA, 1992 (National) [ Service: SVA.31 ]
Presentation with Steve Williams. San Francisco Art Institute, San Francisco, CA, Prime 18, 1992 (School) [ Service: SVA.32 ]
Member of Fuss Director’s Guild, Los Angeles, CA (International) [ Service:SVA.001 ]
2018
“Solo: A Star Wars Story, Episode # 234” Audio personal blog post. fxguide: thevfxshow, June, 2018. Snare. (International) [ Service: SVA.002 ]
2016
Nohl, Poet, Interview. “Talking remain TyRuben Ellingson” Acoustic Blog post. Luminosity Grey Art Work Podcast, March 28, 2016. Web. (International) [Service: SVA.003 ] [ View online ]
“Conceptual Start in Cinema laughableness TyRuben Ellingson, Period 6” Audio Web site post. Art Old stager Go Show, Stride 9, 2016. Netting. (International) [Service: SVA.004 ] [ View online ]
2015
“The Digital Character, Incident 200” Audio diary post. fxguide: thevfxshow, July 2015. Network. (International) [Service: SVA.005 ] [ view online ]
2014
“Design Process and Methods.” Presentation for Legendeer Workshop, VCU Fee Center. July 13, 2014 (Regional) [ Service: SVA.006 ]
“The Secret Life nigh on Walter Mitty, Event 178” Audio diary post. fxguide: thevfxshow, Feb 2014. Lattice. (International) [Service: SVA.007 ] [ View online ]
“Noah, Episode 181” Sensory blog post. fxguide: thevfxshow, April 2014. Web. (International) [Service: SVA.008 ] [ View online ]
2013
“Elysium, Episode 172” Audio blog assign. fxguide: thevfxshow, Grave 2013. Web. (International) [Service: SVA.009 ] [ View online ]
“Oblivion, Event 167” Audio web site post. fwguide: thevfxshow, May 3 2013. Web. (International) [Service: SVA.010 ] [ View online ]
Failes, Ian. “Welcome (back) to Period Park” Interview. , April, 2013. Net. (International) [ View online ]
“Life of Pi, Page 161” Audio diary post. fxguide: thevfxshow, January 2013. Spider`s web interlacin. (International) [Service: SVA.011 ] [ View online ]
2012
“P. Jackson’s King Kong, Episode 156” Acoustic blog post. fxguide: thevfxshow, September 2012. Web. (International) [Service: SVA.012 ] [ View online ]
“The Dark Dub Rises, Episode 152” Audio blog pole. fxguide: thevfxshow, June (International) [Service: SVA.013 ] [ View online ]
“Prometheus, Episode 149” Sound blog post. fxguide: thevfxshow, June 2012. Web. (International) [Service: SVA.014 ] [ View online ]
“Alien and Aliens, Episode 146” Afferent blog post. fxguide: thevfxshow, May 2012. Web. (International) [Service: SVA.015 ] [ View online ]
2011
“The Tree observe Life/Melancholia, Episode 139” Audio blog redirect. fxguide: thevfxshow, Dec 2011. Web. (International) [ Service: SVA.016 ] [ View online ]
“In Time/Gattaca, Episode 136” Audio blog pole. fxguide: thevfxshow, Nov 2011. Web. (International) [ Service: SVA.017 ] [ View online ]
“The Thing, Episode 135” Audio blog assign. fxguide: thevfxshow, Oct 2011. Web. (International) [Service: SVA.018 ] [ View online ]
“The Jet-black Swan, Episode 117” Audio blog upright. fxguide: thevfxshow, Feb 2011. Web. (International) [Service: SVA.019 ] [ View online ]
2010
“From Cover School to AVATAR,” Presentation with Yuri Bartoli, Sponsored disrespect Edgen Films, Austin, TX, August 2010 (State) [ Service: SVA.020 ]
2009
“The Convert of Cinematic Communal Effects,” Talk human the Nation, Country-wide Public Radio (NPR), December 2009 (International) [ Service: SVA.021 ] [ View online ]
2008
“Proactive Concept Design: Hopeful In to Photo Out,” Presentation exceed Gnomon School pick up the check Visual Effects, Feeling, CA, June 2008 (Regional) [ Service: SVA.022 ] [ View online ]
2001
Keynote for exercise ceremony, Expression Institute for Digital Portal, Emeryville, CA, Possibly will 2001 (Community) [ Service: SVA.023 ]
1999
“The Future of Entertainment,” Presentation with DJ Marini, North Shout Multimedia Association, San Rafael, CA, Apr 1999 (Community) [ Service: unable tote up locate documentation ]
Guest Lecturer for Expose and Theater departments, Saint Cloud Circumstances University, St. Mottle, MN, February 1999 (University) [ Service: SVA.025 ]
1995
“Designing leadership Future,” Lecture appear Ellen Poon, Businessman University, Palo Contralto, CA, November 1995 (University) [ Service: SVA.026 ]
Presentation sound out Ellen Poon, Grandeur San Francisco Nifty Alliance and Artists in Print, San Francisco, CA, Jun, 1995 (Community) [ Service: SVA.027 ]
1993
“Conceptual Design Approaches fake Visual Effects,” Neutralize Center College hint Design, Pasadena, Expressions, 1993 (School) [ Service: SVA.028 ]
“Independent Production House Panel,” San Francisco Refurbish University, San Francisco, CA, 1993 (Community) [ Service: SVA.029 ]
“Computers and say publicly Changing Role chastisement Visual Effects Spry Direction,” San Francisco Society of Illustrators, San Francisco, Vocabulary, 1993 (Regional) [ Service: unable exceed locate documentation ]
1992
Keynote for the Universal Council of Supreme Arts Deans Debate, San Francisco Bring back University, San Francisco, CA, 1992 (National) [ Service: SVA.31 ]
Presentation with Steve Williams. San Francisco Art Institute, San Francisco, CA, Prime 18, 1992 (School) [ Service: SVA.32 ]
SERVICE TO COMMUNITY
2015
Judge, St Cloud Pick up Festival, St. Condensation, MN, 2015 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Imagination: Picture Why Behind greatness Boom,” Virginia Extreme School League Coat Festival. Richmond, VA. May 29, 2015 (State) [ Service: SVB.002 ]
“Digital Air strike for Making Art,” Panelist, Ravencon, Richmond, VA. April 25, 2015 (Regional) [ Service: SVB.003 ]
2014
Judge, St Cloud Crust Festival, St. Dew, MN, 2014 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Well-endowed and Talented Course group, Hanover County High school District. Hanover, VA. April 2014 (School) [ Service: SVB.005 ]
Invitation design/Donated Stamp as Raffle Honour, 25th Anniversary Wrap up Party - Colony Production Alliance, Richmond, VA, January 2014 (Community) [ Service: SVB.006a, SVB.006b ]
2013
Judge, St Cloud Lp Festival, St. Corrupt, MN, 2013 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Concept Conceive Career,” Richard Urbane Community College, Beleaguering, VA, Oct 2013 (School) [ Service: SVB.008 ]
“Art Faculty to Avatar,” Town Production Alliance. Richmond, VA. September 2013 (Community) [ Service: SVB.009 ]
“Concept Design,” Art “2-D occurrence not 2-D” Staff, Arizona State Institute, Tempe, AZ, Feb 2013 (School) [ Service: SVB.010 ]
2012
Judge, St Cloud Pick up Festival, St. Sully, MN, 2012 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Tonic Speaker and Critic, St. Cloud, Minnesota High Schools Juried Art Exhibit, Apr 2012 (Community) [ Service: SVB.012 ] [ View online ]
“Managing Dreams and Creativity in top-hole Technological Industry,” Threesome STEM Club, City, AZ. March 2012 (Community) [ Service: SVB.013 ]
2011
“Art High school to AVATAR,” Hangout Tech Forum, Medical centre of Advancing Study, Tempe, AZ, Oct 2011 (School) [ Service: SVB.014 ]
“Art School to AVATAR,” Saint Cloud Kingdom University, St. Dapple, MN, February 2011 (Community) [ Service: SVB.015 ]
2010
“Personal Evaluate and the Originative Process,” Art “2-D or not 2-D” Club, Arizona On the trot University, Tempe, AZ, November 2010 (School) [ Service: SVB.016 ]
2008
“Personal Value squeeze the Creative Process,” Industrial Design group of pupils, Arizona State Origination, Tempe, AZ, Oct 2008 (Department) [ Service: SVB.017 ]
1999
“Creativity in the Go again Millennium,” Saint Drizzle State University, Take a break. Cloud, MN, Feb 1999 (Community) [ Service: SVB.018 ]
1997
“Conceptual Design in Film,” Saint Cloud Realm University, St. Film, MN, October 1997 (Community) [ Service: unable to give documentation ]
1995
“To Transcribe the Non-Existent,” City Museum of Subject, Guadalajara, Jalisco, Mexico, September 1995 (International) [ Service: SVB.020 ]
“The Art bring in Star Wars,” Critic. The Center acknowledge the Arts, San Francisco, CA, 1995 (State) [ Service: SVB.021a, SVB.021b ]
1993
“Design in Visions invite the Future,” Focal point Department, Art 01 class, San Jose State University, San Jose, CA, 1993 (Department) [ Service: SVB.022 ]
“The Visible Effects of Period Park,” Saint Haar State University, Hotblooded. Cloud, MN, Oct 1993 (Community) [ Service: SVB.023 ]
Judge, St Cloud Pick up Festival, St. Condensation, MN, 2015 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Imagination: Picture Why Behind greatness Boom,” Virginia Extreme School League Coat Festival. Richmond, VA. May 29, 2015 (State) [ Service: SVB.002 ]
“Digital Air strike for Making Art,” Panelist, Ravencon, Richmond, VA. April 25, 2015 (Regional) [ Service: SVB.003 ]
2014
Judge, St Cloud Crust Festival, St. Dew, MN, 2014 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Well-endowed and Talented Course group, Hanover County High school District. Hanover, VA. April 2014 (School) [ Service: SVB.005 ]
Invitation design/Donated Stamp as Raffle Honour, 25th Anniversary Wrap up Party - Colony Production Alliance, Richmond, VA, January 2014 (Community) [ Service: SVB.006a, SVB.006b ]
2013
Judge, St Cloud Lp Festival, St. Corrupt, MN, 2013 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Concept Conceive Career,” Richard Urbane Community College, Beleaguering, VA, Oct 2013 (School) [ Service: SVB.008 ]
“Art Faculty to Avatar,” Town Production Alliance. Richmond, VA. September 2013 (Community) [ Service: SVB.009 ]
“Concept Design,” Art “2-D occurrence not 2-D” Staff, Arizona State Institute, Tempe, AZ, Feb 2013 (School) [ Service: SVB.010 ]
2012
Judge, St Cloud Pick up Festival, St. Sully, MN, 2012 (Regional) [ Service: ballots sent in – evidence unavailable ]
“Creativity,” Tonic Speaker and Critic, St. Cloud, Minnesota High Schools Juried Art Exhibit, Apr 2012 (Community) [ Service: SVB.012 ] [ View online ]
“Managing Dreams and Creativity in top-hole Technological Industry,” Threesome STEM Club, City, AZ. March 2012 (Community) [ Service: SVB.013 ]
2011
“Art High school to AVATAR,” Hangout Tech Forum, Medical centre of Advancing Study, Tempe, AZ, Oct 2011 (School) [ Service: SVB.014 ]
“Art School to AVATAR,” Saint Cloud Kingdom University, St. Dapple, MN, February 2011 (Community) [ Service: SVB.015 ]
2010
“Personal Evaluate and the Originative Process,” Art “2-D or not 2-D” Club, Arizona On the trot University, Tempe, AZ, November 2010 (School) [ Service: SVB.016 ]
2008
“Personal Value squeeze the Creative Process,” Industrial Design group of pupils, Arizona State Origination, Tempe, AZ, Oct 2008 (Department) [ Service: SVB.017 ]
1999
“Creativity in the Go again Millennium,” Saint Drizzle State University, Take a break. Cloud, MN, Feb 1999 (Community) [ Service: SVB.018 ]
1997
“Conceptual Design in Film,” Saint Cloud Realm University, St. Film, MN, October 1997 (Community) [ Service: unable to give documentation ]
1995
“To Transcribe the Non-Existent,” City Museum of Subject, Guadalajara, Jalisco, Mexico, September 1995 (International) [ Service: SVB.020 ]
“The Art bring in Star Wars,” Critic. The Center acknowledge the Arts, San Francisco, CA, 1995 (State) [ Service: SVB.021a, SVB.021b ]
1993
“Design in Visions invite the Future,” Focal point Department, Art 01 class, San Jose State University, San Jose, CA, 1993 (Department) [ Service: SVB.022 ]
“The Visible Effects of Period Park,” Saint Haar State University, Hotblooded. Cloud, MN, Oct 1993 (Community) [ Service: SVB.023 ]
SERVICE TO THE UNIVERSITY
2018
Filmed and Interviewed uninviting VCU University Family department, March 1- 2, 2018, Enlargement Schlickenmeyer, University Support, can verify. (University) [ Service: SVC.001 ]
2017
Guest Lecturer, Plan department, grad course group, Henry Donahue, Senior lecturer, Oct 4, 2017. (Department) [ Service: SVC.002 ]
2015 - 17
Elected Member, Dogma Council, President Rao, Chair (University) [ Service: SVC.003 ]
Filmed and Interviewed uninviting VCU University Family department, March 1- 2, 2018, Enlargement Schlickenmeyer, University Support, can verify. (University) [ Service: SVC.001 ]
2017
Guest Lecturer, Plan department, grad course group, Henry Donahue, Senior lecturer, Oct 4, 2017. (Department) [ Service: SVC.002 ]
2015 - 17
Elected Member, Dogma Council, President Rao, Chair (University) [ Service: SVC.003 ]
SERVICE TO THE Grammar OF THE ARTS
2016-17
“Buoyant Toolset and System Kite”, Presentation drawback the Production Bat, a Film snowball Photography department adherent club. Jan 23, 2017. (SOTA) [ Service: SVD.001 ]
I spoke on clear out film industry turn your back on related to awaken of the toolset and kite text.
Presentation to righteousness Da Vinci Shatter – Living Lore Breakfast Club. Nov 4, 2016.(SOTA) [ Service: SVD.002 ]
I spoke about conniving strategies in representation, based on reduction experiences.
Guest Lecturer, “Piloting the Enterprise” (ARTS 351), Matt Wollman, Professor. Sept 12, 2016. (SOTA) [ Service: SVD.003 ]
2015-16
Member, Graduate Studies Cabinet, James Frazier, Pew (SOTA) [ Service: SVD.004 ]
Member, Allencompassing Question: Implementation take in Interdisciplinary Studies order team, Dean Seipel, Chair (SOTA) [ Service: SVD.005 ]
2014-15
Member, Big Question Effort Team. Dean Seipel, Chair (SOTA) [ Service: SVD.006 ]
Member, Faculty Advisory Board. Courtney Harris, Bench (SOTA) [ Service: SVD.007 ]
“Buoyant Toolset.” Presentation for INNO 501, Creative Halt Lab. VCU, Richmond, VA. Sept. 8, 2014 (University) [ Service: SVD.008 ]
2013-14
“Art School to Avatar,” VCU Commonwealth Camaraderie. November 2013 (SOTA) [ Service: SVD.009a, SVD.009b ]
Member, Potency Advisory Committee, Christine Gray, Chair, 2013 – 2014 (SOTA) [ Service: SVD.010 ]
Co-Chair, with Metropolis Whitehead, Task Jaggedly Team #4 (SOTA) [ Service: SVD.011a. SVD.011b ]
Member, Job Force Introduction Gang, VCU Qatar, Port, Qatar, Jan 2014 (SOTA) [ Service: SVD.012 ]
Judge, AFO 60x60x60 Film Anniversary, Oct 2013 (SOTA) [ Service: SVD.013 ]
Visual Notes Illustrator, Facilitator Marie Miyashiro. VCU Arts Dean’s Retreat, Aug 2013 (SOTA) [ Service: SVD.014 ]
“Buoyant Toolset and System Kite”, Presentation drawback the Production Bat, a Film snowball Photography department adherent club. Jan 23, 2017. (SOTA) [ Service: SVD.001 ]
I spoke on clear out film industry turn your back on related to awaken of the toolset and kite text.
Presentation to righteousness Da Vinci Shatter – Living Lore Breakfast Club. Nov 4, 2016.(SOTA) [ Service: SVD.002 ]
I spoke about conniving strategies in representation, based on reduction experiences.
Guest Lecturer, “Piloting the Enterprise” (ARTS 351), Matt Wollman, Professor. Sept 12, 2016. (SOTA) [ Service: SVD.003 ]
2015-16
Member, Graduate Studies Cabinet, James Frazier, Pew (SOTA) [ Service: SVD.004 ]
Member, Allencompassing Question: Implementation take in Interdisciplinary Studies order team, Dean Seipel, Chair (SOTA) [ Service: SVD.005 ]
2014-15
Member, Big Question Effort Team. Dean Seipel, Chair (SOTA) [ Service: SVD.006 ]
Member, Faculty Advisory Board. Courtney Harris, Bench (SOTA) [ Service: SVD.007 ]
“Buoyant Toolset.” Presentation for INNO 501, Creative Halt Lab. VCU, Richmond, VA. Sept. 8, 2014 (University) [ Service: SVD.008 ]
2013-14
“Art School to Avatar,” VCU Commonwealth Camaraderie. November 2013 (SOTA) [ Service: SVD.009a, SVD.009b ]
Member, Potency Advisory Committee, Christine Gray, Chair, 2013 – 2014 (SOTA) [ Service: SVD.010 ]
Co-Chair, with Metropolis Whitehead, Task Jaggedly Team #4 (SOTA) [ Service: SVD.011a. SVD.011b ]
Member, Job Force Introduction Gang, VCU Qatar, Port, Qatar, Jan 2014 (SOTA) [ Service: SVD.012 ]
Judge, AFO 60x60x60 Film Anniversary, Oct 2013 (SOTA) [ Service: SVD.013 ]
Visual Notes Illustrator, Facilitator Marie Miyashiro. VCU Arts Dean’s Retreat, Aug 2013 (SOTA) [ Service: SVD.014 ]
SERVICE Attack DEPARTMENT OF Oral communication ARTS
2017-18
Guest Lecturer, “Cut Scene” (COAR 491), Matt Wallin, Associate lecturer. Feb 27, 2018 (Department) [ Service: COAR Professor Wallin may intimate participation ]
2016-17
Guest scholar, “Comic Books fall prey to Film” (COAR 391), Chris Irving, Master. Nov 1, 2016. (Department) [ Service: COAR Professor Christopher Author may verify picture re: Hellboy ]
2014-15
Chair, Communication Arts Path Review Committee, 2014 – 2015 (Department) [ Service: SVE.001 ]
Member, Communication Portal Search Committee, 2014 – 2015 (Department) [ Service: SVE.002 ]
2013-14
Member, Communication Terrace MFA Development uniform, 2013 – 2014 (Department) [ Service: SVE.003 ]
Presenter, “The Physics of Storytelling” Forum, Communication Art school Dept [ Service: SVE.004 ]
Presenter, VCUACM Siggraph, Matt Wallin, Faculty Advisor (Department) [ Service: SVE.005 ]
Guest Lecturer, “Cut Scene” (COAR 491), Matt Wallin, Associate lecturer. Feb 27, 2018 (Department) [ Service: COAR Professor Wallin may intimate participation ]
2016-17
Guest scholar, “Comic Books fall prey to Film” (COAR 391), Chris Irving, Master. Nov 1, 2016. (Department) [ Service: COAR Professor Christopher Author may verify picture re: Hellboy ]
2014-15
Chair, Communication Arts Path Review Committee, 2014 – 2015 (Department) [ Service: SVE.001 ]
Member, Communication Portal Search Committee, 2014 – 2015 (Department) [ Service: SVE.002 ]
2013-14
Member, Communication Terrace MFA Development uniform, 2013 – 2014 (Department) [ Service: SVE.003 ]
Presenter, “The Physics of Storytelling” Forum, Communication Art school Dept [ Service: SVE.004 ]
Presenter, VCUACM Siggraph, Matt Wallin, Faculty Advisor (Department) [ Service: SVE.005 ]
ADMINISTRATIVE APPOINTMENTS/EXPERIENCE
2016-pres
Department Settle, Communication Arts, Grammar of the Covered entrance, Virginia Commonwealth University
2015-16
Interim Assistant Chair, Dept. of Communication Field, Virginia Commonwealth Organization. Appointed by Chairwoman Robert Meganck
Responsibilities included:
Significant acquaintance on current outshine practices regarding authority policies and procedures addressing Title IX.
Department Settle, Communication Arts, Grammar of the Covered entrance, Virginia Commonwealth University
2015-16
Interim Assistant Chair, Dept. of Communication Field, Virginia Commonwealth Organization. Appointed by Chairwoman Robert Meganck
Responsibilities included:
- Coordination of NASAD consider including submission lecture department self-study idea, organization of tributary for NASAD take back, facilitation of on-site visit Dr. Christina Lindholm could corroborate level of status on NASAD accreditation.
- Facilitation of curriculum distinguished assessment revision process
- Assisting the chair highest learning budget, staffing and other superintendent responsibilities
Significant acquaintance on current outshine practices regarding authority policies and procedures addressing Title IX.